Studies on a Global History of Music
A Balzan Musicology Project
Herausgeber: Strohm, Reinhard
Studies on a Global History of Music
A Balzan Musicology Project
Herausgeber: Strohm, Reinhard
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
The idea of a global history of music may be traced back to the Enlightenment, and today, the question of a conceptual framework for a history of music that pays due attention to global relationships in music is often raised. The studies presented in this volume aim to promote post-European historical thinking. They are based on the idea that a
Andere Kunden interessierten sich auch für
- Mark HijlehTowards a Global Music Theory77,99 €
- Lives in Music61,99 €
- Mark BrillMusic of Latin America and the Caribbean107,99 €
- Presence Through Sound58,99 €
- The African Diaspora66,99 €
- Music and Encounter at the Mediterranean Crossroads60,99 €
- Clarence Bernard HenryGlobal Jazz60,99 €
-
-
-
The idea of a global history of music may be traced back to the Enlightenment, and today, the question of a conceptual framework for a history of music that pays due attention to global relationships in music is often raised. The studies presented in this volume aim to promote post-European historical thinking. They are based on the idea that a
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 504
- Erscheinungstermin: 14. August 2020
- Englisch
- Abmessung: 234mm x 155mm x 23mm
- Gewicht: 599g
- ISBN-13: 9780367592264
- ISBN-10: 0367592266
- Artikelnr.: 69890811
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 504
- Erscheinungstermin: 14. August 2020
- Englisch
- Abmessung: 234mm x 155mm x 23mm
- Gewicht: 599g
- ISBN-13: 9780367592264
- ISBN-10: 0367592266
- Artikelnr.: 69890811
Reinhard Strohm studied musicology, violin, Latin, and Romance languages in Munich, Pisa, Milan and Berlin, and obtained his PhD in 1971 at the TU Berlin. In 1970-1982 he collaborated on a critical edition of the works of Richard Wagner. He taught at King's College London, UK, in 1975-1983 and 1990-1996, was Professor of Musicology at Yale University, USA, in 1983-1990, and Heather Professor of Music at Oxford University, UK, in 1996-2007. Visiting professorships were held at Chicago, Rome, Vienna, Budapest, Zurich, and Hamburg. Awards include the Dent Medal (RMA) in 1977 and the Balzan Prize (for Musicology) in 2012. Strohm's research focuses on European music ca.1400-ca.1800, the history of opera, historiography, and postmodern criticism of musicology.
Introduction; 1 Notes and queries on 'global music history'
Martin Stokes; Enlightenment; 2 Ancient Greeks
world music
and early modern constructions of Western European identity
David R. M. Irving; 3 Analytical encounters: global music criticism and enlightenment ethnomusicology
Estelle Joubert; 4 Musical thought in the global enlightenments
Philip V. Bohlman; East Asia; 5 Voice and song in early encounters between Latins
Mongols
and Persians
ca.1250-ca.1350
Jason Stoessel; 6 'The transformation of the world': Silk Road musics
cross-cultural approaches
and contemporary metaphors
Max Peter Baumann; 7 Music education in modern Japanese society
Rinko Fujita; 8 The (musical) imaginarium of Konishi Yasuharu
or how to make Western music Japanese
Oliver Seibt; 9 'European music' outside Europe? Musical entangling and intercrossing in the case of Korea's modern history
Jin-Ah Kim; 10 Korean music: definitions and practices
Keith Howard; 11 East Asia in a global historical perspective - approaches and challenges
Nicola Spakowski; South and South-East Asia; 12 Heavy metal bamboo: how archaic bamboo instruments became modern in Bandung
Indonesia
Henry Spiller; 13 Cultural autonomy and the 'Indian Exception': debating the aesthetics of Indian classical music in early 20th-century Calcutta
Matthew Pritchard; 14 Orientalism and beyond: Tagore
Foulds
and cross-cultural exchanges between Indian and Western musicians
Suddhaseel Sen; America; 15 Why did Indians sing? The appropriation of European musical practices by South-American natives in the Jesuit reducciones
Leonardo J. Waisman; 16 The global mission in the music of Jesuit drama
Tomasz Je¿; 17 From 'abandoned huts' to 'maps of the pampas': the topos of the Huella and the representation of landscape in Argentine art music
Melanie Plesch; 18 'Minor Mode and the Andes': the pentatonic scale as topic and the musical representation of Peru
Julio Mendívil; 19 'The rending call of the poor and forsaken street crier': the political and expressive dimension of a topic in Silvestre Revueltas's early works
Roberto Kolb-Neuhaus; 20 Passion and disappointment: waltz and danza topics in a Venezuelan musical nationalism masterpiece
Juan Francisco Sans; 21 Festivals
violins and global music histories: examples from the Caribbean and Canada
Tina K. Ramnarine
Martin Stokes; Enlightenment; 2 Ancient Greeks
world music
and early modern constructions of Western European identity
David R. M. Irving; 3 Analytical encounters: global music criticism and enlightenment ethnomusicology
Estelle Joubert; 4 Musical thought in the global enlightenments
Philip V. Bohlman; East Asia; 5 Voice and song in early encounters between Latins
Mongols
and Persians
ca.1250-ca.1350
Jason Stoessel; 6 'The transformation of the world': Silk Road musics
cross-cultural approaches
and contemporary metaphors
Max Peter Baumann; 7 Music education in modern Japanese society
Rinko Fujita; 8 The (musical) imaginarium of Konishi Yasuharu
or how to make Western music Japanese
Oliver Seibt; 9 'European music' outside Europe? Musical entangling and intercrossing in the case of Korea's modern history
Jin-Ah Kim; 10 Korean music: definitions and practices
Keith Howard; 11 East Asia in a global historical perspective - approaches and challenges
Nicola Spakowski; South and South-East Asia; 12 Heavy metal bamboo: how archaic bamboo instruments became modern in Bandung
Indonesia
Henry Spiller; 13 Cultural autonomy and the 'Indian Exception': debating the aesthetics of Indian classical music in early 20th-century Calcutta
Matthew Pritchard; 14 Orientalism and beyond: Tagore
Foulds
and cross-cultural exchanges between Indian and Western musicians
Suddhaseel Sen; America; 15 Why did Indians sing? The appropriation of European musical practices by South-American natives in the Jesuit reducciones
Leonardo J. Waisman; 16 The global mission in the music of Jesuit drama
Tomasz Je¿; 17 From 'abandoned huts' to 'maps of the pampas': the topos of the Huella and the representation of landscape in Argentine art music
Melanie Plesch; 18 'Minor Mode and the Andes': the pentatonic scale as topic and the musical representation of Peru
Julio Mendívil; 19 'The rending call of the poor and forsaken street crier': the political and expressive dimension of a topic in Silvestre Revueltas's early works
Roberto Kolb-Neuhaus; 20 Passion and disappointment: waltz and danza topics in a Venezuelan musical nationalism masterpiece
Juan Francisco Sans; 21 Festivals
violins and global music histories: examples from the Caribbean and Canada
Tina K. Ramnarine
Introduction; 1 Notes and queries on 'global music history'
Martin Stokes; Enlightenment; 2 Ancient Greeks
world music
and early modern constructions of Western European identity
David R. M. Irving; 3 Analytical encounters: global music criticism and enlightenment ethnomusicology
Estelle Joubert; 4 Musical thought in the global enlightenments
Philip V. Bohlman; East Asia; 5 Voice and song in early encounters between Latins
Mongols
and Persians
ca.1250-ca.1350
Jason Stoessel; 6 'The transformation of the world': Silk Road musics
cross-cultural approaches
and contemporary metaphors
Max Peter Baumann; 7 Music education in modern Japanese society
Rinko Fujita; 8 The (musical) imaginarium of Konishi Yasuharu
or how to make Western music Japanese
Oliver Seibt; 9 'European music' outside Europe? Musical entangling and intercrossing in the case of Korea's modern history
Jin-Ah Kim; 10 Korean music: definitions and practices
Keith Howard; 11 East Asia in a global historical perspective - approaches and challenges
Nicola Spakowski; South and South-East Asia; 12 Heavy metal bamboo: how archaic bamboo instruments became modern in Bandung
Indonesia
Henry Spiller; 13 Cultural autonomy and the 'Indian Exception': debating the aesthetics of Indian classical music in early 20th-century Calcutta
Matthew Pritchard; 14 Orientalism and beyond: Tagore
Foulds
and cross-cultural exchanges between Indian and Western musicians
Suddhaseel Sen; America; 15 Why did Indians sing? The appropriation of European musical practices by South-American natives in the Jesuit reducciones
Leonardo J. Waisman; 16 The global mission in the music of Jesuit drama
Tomasz Je¿; 17 From 'abandoned huts' to 'maps of the pampas': the topos of the Huella and the representation of landscape in Argentine art music
Melanie Plesch; 18 'Minor Mode and the Andes': the pentatonic scale as topic and the musical representation of Peru
Julio Mendívil; 19 'The rending call of the poor and forsaken street crier': the political and expressive dimension of a topic in Silvestre Revueltas's early works
Roberto Kolb-Neuhaus; 20 Passion and disappointment: waltz and danza topics in a Venezuelan musical nationalism masterpiece
Juan Francisco Sans; 21 Festivals
violins and global music histories: examples from the Caribbean and Canada
Tina K. Ramnarine
Martin Stokes; Enlightenment; 2 Ancient Greeks
world music
and early modern constructions of Western European identity
David R. M. Irving; 3 Analytical encounters: global music criticism and enlightenment ethnomusicology
Estelle Joubert; 4 Musical thought in the global enlightenments
Philip V. Bohlman; East Asia; 5 Voice and song in early encounters between Latins
Mongols
and Persians
ca.1250-ca.1350
Jason Stoessel; 6 'The transformation of the world': Silk Road musics
cross-cultural approaches
and contemporary metaphors
Max Peter Baumann; 7 Music education in modern Japanese society
Rinko Fujita; 8 The (musical) imaginarium of Konishi Yasuharu
or how to make Western music Japanese
Oliver Seibt; 9 'European music' outside Europe? Musical entangling and intercrossing in the case of Korea's modern history
Jin-Ah Kim; 10 Korean music: definitions and practices
Keith Howard; 11 East Asia in a global historical perspective - approaches and challenges
Nicola Spakowski; South and South-East Asia; 12 Heavy metal bamboo: how archaic bamboo instruments became modern in Bandung
Indonesia
Henry Spiller; 13 Cultural autonomy and the 'Indian Exception': debating the aesthetics of Indian classical music in early 20th-century Calcutta
Matthew Pritchard; 14 Orientalism and beyond: Tagore
Foulds
and cross-cultural exchanges between Indian and Western musicians
Suddhaseel Sen; America; 15 Why did Indians sing? The appropriation of European musical practices by South-American natives in the Jesuit reducciones
Leonardo J. Waisman; 16 The global mission in the music of Jesuit drama
Tomasz Je¿; 17 From 'abandoned huts' to 'maps of the pampas': the topos of the Huella and the representation of landscape in Argentine art music
Melanie Plesch; 18 'Minor Mode and the Andes': the pentatonic scale as topic and the musical representation of Peru
Julio Mendívil; 19 'The rending call of the poor and forsaken street crier': the political and expressive dimension of a topic in Silvestre Revueltas's early works
Roberto Kolb-Neuhaus; 20 Passion and disappointment: waltz and danza topics in a Venezuelan musical nationalism masterpiece
Juan Francisco Sans; 21 Festivals
violins and global music histories: examples from the Caribbean and Canada
Tina K. Ramnarine