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By examining the studios and studio-houses used by British artists between 1900 and 1940, this book reveals the ways in which artists used architecture â occupying and adapting Victorian studios and commissioning new ones â and, in doing so, shows them coming to terms with the past, and in the process, inventing different modes of being modern.

Produktbeschreibung
By examining the studios and studio-houses used by British artists between 1900 and 1940, this book reveals the ways in which artists used architecture â occupying and adapting Victorian studios and commissioning new ones â and, in doing so, shows them coming to terms with the past, and in the process, inventing different modes of being modern.
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Autorenporträt
Louise Campbell is Emeritus Professor in Art History at the University of Warwick where she lectured from 1977 until her retirement in 2014. She is a specialist in late 19th- and 20th-century architecture, has edited books on Basil Spence and on Twentieth Century Architecture and has written books on Coventry Cathedral