Andere Kunden interessierten sich auch für
![On the Elements of Light and Their Identity With Those of Matter, Radiant and Fixed]( "On the Elements of Light and Their Identity With Those of Matter, Radiant and Fixed")
On the Elements of Light and Their Identity With Those of Matter, Radiant and Fixed20,99 €![The BLACK LIGHT and Fluorescent Art: the Social Stigma of "e;Fluorophobia"e;]( "The BLACK LIGHT and Fluorescent Art: the Social Stigma of "e;Fluorophobia"e;")
The BLACK LIGHT and Fluorescent Art: the Social Stigma of "e;Fluorophobia"e;32,99 €![THE LANGUAGE OF LIGHT]( "THE LANGUAGE OF LIGHT")
THE LANGUAGE OF LIGHT61,99 €![Of The City - Bridges, Buildings, & Light]( "Of The City - Bridges, Buildings, & Light")
Of The City - Bridges, Buildings, & Light38,99 €![Obscuring The Light]( "Obscuring The Light")
Obscuring The Light30,99 €![Light Rail Transit: A State of the art Review]( "Light Rail Transit: A State of the art Review")
Light Rail Transit: A State of the art Review26,99 €![Be the Light]( "Be the Light")
Be the Light20,99 €
![The BLACK LIGHT and Fluorescent Art: the Social Stigma of "e;Fluorophobia"e;](https://bilder.buecher.de/produkte/58/58108/58108905m.jpg "The BLACK LIGHT and Fluorescent Art: the Social Stigma of "e;Fluorophobia"e;")
"SUB LUCEM: Art, Archaeology and Ceramics" is an exhibition project includes research in the visual world of contemporary ceramics made ¿¿by Jorge Egea (Zaragoza, 1975 - www.jorgeegea.com) at the School of Art and design Pau Gargallo Badalona. This proposal presents a relationship between artistic creation and classical archeology. "SUB LUCEM" We want to transport a poetic space in which, as daylight, weather and light stop, where past and present coexist and exchange their meanings. // "SUB Lucem: Arte, Cerámica y Arqueología" es un proyecto expositivo recoge la investigación plástica en el mundo de la cerámica contemporánea realizada por Jorge Egea (Zaragoza, 1975 - www.jorgeegea.com) en la Escuela de Arte y Superior de diseño Pau Gargallo de Badalona. En esta propuesta se presenta una relación entre la creación artística y la arqueología clásica, a partir de la especulación formal sobre la imagen del dios grecorromano de las artes, Apolo.