From the German expressionist movement to contemporary Hollywood, many different cinematic techniques have been used to represent the subjective experience of characters on the screen. Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience...
From the German expressionist movement to contemporary Hollywood, many different cinematic techniques have been used to represent the subjective experience of characters on the screen. Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience...Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Matthew Campora is a Lecturer at the Australian Film Television and Radio School and an Honorary Research Fellow at the Centre for Critical and Cultural Studies. He holds an MPhil in literary studies and a PhD in film studies from the University of Queensland.
Inhaltsangabe
Acknowledgements Introduction * Three Periods of Narrative Experimentation * Multiform Narrative * Subjective Realism Chapter 1. Complex Narratives 1. The New Hollywood and The Smart Film 2. New Hollywood Narration * Fragmented Narratives * Multi-strand Narratives * Multiform Narratives 3. Brazil 4. Puzzle Films Chapter 2. Two Trajectories of the Cinema of Attractions * The Narrative Trajectory: Realism and Spectacle * The Avant-garde Trajectory: Realism and Defamiliarization Chapter 3. Subjective Realism and Multiform Narrative * Subjective Realism * Vertigo * The Fantastic * Wild Strawberries Chapter 4. Mulholland Drive 5. Expressionism and the Uncanny 6. Three Views * As Surrealist or Trance Film * As Fragmented Subjective Realist Film * As Supernatural Film 7. It Is All An Illusion Chapter 5. Memento * The Four Strands * Unreliable Narration * Disrupted Expectations * Subjective Realism Chapter 6. Eternal Sunshine of the Spotless Mind * The Philosophy of Eternal Sunshine * Temporal Inversions * Subjective Realism * Sonic Metalepsis * The Marvelous Real Conclusion Filmography Bibliography Index
Acknowledgements Introduction * Three Periods of Narrative Experimentation * Multiform Narrative * Subjective Realism Chapter 1. Complex Narratives 1. The New Hollywood and The Smart Film 2. New Hollywood Narration * Fragmented Narratives * Multi-strand Narratives * Multiform Narratives 3. Brazil 4. Puzzle Films Chapter 2. Two Trajectories of the Cinema of Attractions * The Narrative Trajectory: Realism and Spectacle * The Avant-garde Trajectory: Realism and Defamiliarization Chapter 3. Subjective Realism and Multiform Narrative * Subjective Realism * Vertigo * The Fantastic * Wild Strawberries Chapter 4. Mulholland Drive 5. Expressionism and the Uncanny 6. Three Views * As Surrealist or Trance Film * As Fragmented Subjective Realist Film * As Supernatural Film 7. It Is All An Illusion Chapter 5. Memento * The Four Strands * Unreliable Narration * Disrupted Expectations * Subjective Realism Chapter 6. Eternal Sunshine of the Spotless Mind * The Philosophy of Eternal Sunshine * Temporal Inversions * Subjective Realism * Sonic Metalepsis * The Marvelous Real Conclusion Filmography Bibliography Index
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