Subscription Theater asks why turn-of-the-century British and Irish citizens spent so much time, money, and effort joining subscription lists. Matthew Franks argues that subscribers have been responsible for how we value audience and repertoire today, offering a new account of the relationship between ephemera, drama, and democracy.
Subscription Theater asks why turn-of-the-century British and Irish citizens spent so much time, money, and effort joining subscription lists. Matthew Franks argues that subscribers have been responsible for how we value audience and repertoire today, offering a new account of the relationship between ephemera, drama, and democracy.
Matthew Franks is Assistant Professor of English and Theatre Studies at the University of Warwick.
Inhaltsangabe
Introduction. Stages of Subscription Chapter 1. Private Subscription: The Incorporated Stage Society and Ephemeral Repertoire Chapter 2. Public Subscription: Audience Impressions in Dublin, Glasgow, and Liverpool## Chapter 3. Subscription On and Beyond the Stage Chapter 4. Affiliative Subscription: Paying to Play with Amateur Groups Chapter 5. Virtual Subscription: The Mask as Readers' Theater Epilogue. Subscribe Now Notes Bibliography Index Acknowledgments
Introduction. Stages of Subscription Chapter 1. Private Subscription: The Incorporated Stage Society and Ephemeral Repertoire Chapter 2. Public Subscription: Audience Impressions in Dublin, Glasgow, and Liverpool## Chapter 3. Subscription On and Beyond the Stage Chapter 4. Affiliative Subscription: Paying to Play with Amateur Groups Chapter 5. Virtual Subscription: The Mask as Readers' Theater Epilogue. Subscribe Now Notes Bibliography Index Acknowledgments
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