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Paul Murdock is back! The Vietnam War took away Murdock's ability to walk, but did nothing to diminish his intellect, street smarts, or his win-at-all-costs attitude toward his work as a high-priced private investigator. Bored and divorced (again), Murdock accepts a job tracking down a runaway girl whose idealism has taken her to the rugged plains of Afghanistan. Murdock knows the dangers of operating in that war-torn country, but never expects the case to take him even further from home: to the streets of Moscow. This is not the grim, oppressive capitol of the former Soviet Union, however,…mehr

Produktbeschreibung
Paul Murdock is back! The Vietnam War took away Murdock's ability to walk, but did nothing to diminish his intellect, street smarts, or his win-at-all-costs attitude toward his work as a high-priced private investigator. Bored and divorced (again), Murdock accepts a job tracking down a runaway girl whose idealism has taken her to the rugged plains of Afghanistan. Murdock knows the dangers of operating in that war-torn country, but never expects the case to take him even further from home: to the streets of Moscow. This is not the grim, oppressive capitol of the former Soviet Union, however, but a reborn metropolis awash in new money and old vendettas. One of the forces behind the New Russia turns out to be Ivan Dubrynin; once a major player in the Russian underworld, but now a marked man for betraying his sacred oath to the "Thieves World." Dubrynin offers to help Murdock with his case if, in turn, Murdock agrees to escort Dubrynin and his two granddaughters safely out of the country. No easy task, since Dubrynin is targeted by the Russian Mob, embittered business rivals, and a corrupt police force. The only thing working in Murdock's favor is the assistance of Svetlana Iosha, a former Moscow cop-turned bodyguard, as deadly as she is beautiful. Danger and death lurk around every corner and down every alley, but Murdock prefers risk over boredom.
Autorenporträt
Michael P. Murphy is Director of the Hank Center for the Catholic Intellectual Heritage at Loyola University Chicago. He is the author of A Theology of Criticism: Balthasar, Postmodernism, and the Catholic Imagination (2008). Recent writings include ""Breaking Bodies: O'Connor and the Aesthetics of Consecration,"" in the edited volume Revelation and Convergence (2017). Melissa Bradshaw is a Senior Lecturer in English at Loyola University Chicago. Her work focuses on publicity, personality, and fandom in twentieth-century British and American poetry. Her book Amy Lowell, Diva Poet (2011) won the 2011 MLA Book Prize for Independent Scholars. She has also published on Edith Sitwell, Edna St. Vincent Millay, and on divas more generally.