"The Arabic word sumåud often translates as "steadfastness" or "standing fast." Today, it is a Palestinian cultural value of perseverance and nonviolent resistance in the face of Israeli occupation and genocide. In times of devastation, poetry, literature, and art are the mediums through which oppressed citizens of the world reveal cherished aspects of their existences. Sumåud: A New Palestinian Reader expresses the Palestinian spirit and its cultural power, even in the face of oppression, occupation, and war. When too many world governments turn a blind eye to the genocide and the…mehr
"The Arabic word sumåud often translates as "steadfastness" or "standing fast." Today, it is a Palestinian cultural value of perseverance and nonviolent resistance in the face of Israeli occupation and genocide. In times of devastation, poetry, literature, and art are the mediums through which oppressed citizens of the world reveal cherished aspects of their existences. Sumåud: A New Palestinian Reader expresses the Palestinian spirit and its cultural power, even in the face of oppression, occupation, and war. When too many world governments turn a blind eye to the genocide and the dilapidation of a sacred homeland, the Palestinian people stand fast and resist. The fifty-eight contributions in this collection remind readers that just as love perseveres, so do the Palestinians, and their struggles and triumphs"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
MALU HALASA, Literary Editor at The Markaz Review, is a Jordanian Filipina American writer and editor. Her latest edited anthology is Woman Life Freedom: Voices and Art From the Women’s Protests in Iran (Saqi Books, 2023). Previous co-edited anthologies include: Syria Speaks: Art and Culture from the Frontline (Saqi Books, 2014); The Secret Life of Syrian Lingerie: Intimacy and Design (Chronicle Books, 2008); Kaveh Golestan: Recording the Truth in Iran (Hatje Cantz, 2005); and the short series: Transit Beirut: New Writing and Images, with Rosanne Khalaf (Saqi Books, 2004), and Transit Tehran: Young Iran and Its Inspirations, with Maziar Bahari, (Garnet Press, 2008). She was managing editor of the Prince Claus Fund Library, in Amsterdam; Editor at Large for Portal 9, in Beirut, and a founding editor of Tank Magazine, in London. She has written for The Guardian, Financial Times and Times Literary Supplement. Her debut novel, Mother of All Pigs (Unnamed Press, 2017), was described as: “a microcosmic portrait of … a patriarchal order in slow-motion decline” by the New York Times. Her writing, edited anthologies, and exhibitions chart a changing Middle East. JORDAN ELGRABLY is an American, French and Moroccan writer and translator whose stories and creative nonfiction have appeared in many anthologies and reviews, including Apulée, Salmagundi, and The Paris Review. Editor-in-chief and founder of The Markaz Review, he is the cofounder and former director of the Levantine Cultural Center/The Markaz in Los Angeles (2001–2020). He is the editor of Stories from the Center of the World: New Middle East Fiction (City Lights, 2024). Based in Montpellier, France and California.
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