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"What are the poems like? Inventive, capricious, witty, aphoristic. There are bebop parts where what she's doing is throwing words into a pan slicked with boiling oil and watching 'em explode all over the kitchen...If you set about making your first book with your eyes steady on the prize ('What do I really like? what do I actually get off on?') you might coin a classic. That's what I think we're looking at here. Now the issue is: Can she keep from being corrupted by reviews like this." -Anthony Madrid, RHINO

Produktbeschreibung
"What are the poems like? Inventive, capricious, witty, aphoristic. There are bebop parts where what she's doing is throwing words into a pan slicked with boiling oil and watching 'em explode all over the kitchen...If you set about making your first book with your eyes steady on the prize ('What do I really like? what do I actually get off on?') you might coin a classic. That's what I think we're looking at here. Now the issue is: Can she keep from being corrupted by reviews like this." -Anthony Madrid, RHINO
Autorenporträt
Kirsten Ihns earned her MFA from the Iowa Writers' Workshop, where she was a Teaching-Writing Fellow. She is currently a Ph.D. student and Neubauer Presidential Fellow in English at the University of Chicago, where she studies texts that seem to want to be images, co-founded the Plexiglas series at The Gray Center for Arts & Inquiry, co-organizes UChicago's Poetry & Poetics Workshop, and works for Chicago Review. She is from Atlanta, Georgia.