16,99 €
inkl. MwSt.

Versandfertig in 1-2 Wochen
payback
8 °P sammeln
  • Broschiertes Buch

Sunshine Sketches of a Little Town is a sequence of stories by Stephen Leacock, first published in 1912. It is generally considered to be one of the most enduring classics of Canadian humorous literature. The fictional setting for these stories is Mariposa, a small town on the shore of Lake Wissanotti. Although drawn from his experiences in Orillia, Ontario, Leacock notes: "Mariposa is not a real town. On the contrary, it is about seventy or eighty of them. You may find them all the way from Lake Superior to the sea, with the same square streets and the same maple trees and the same churches…mehr

Produktbeschreibung
Sunshine Sketches of a Little Town is a sequence of stories by Stephen Leacock, first published in 1912. It is generally considered to be one of the most enduring classics of Canadian humorous literature. The fictional setting for these stories is Mariposa, a small town on the shore of Lake Wissanotti. Although drawn from his experiences in Orillia, Ontario, Leacock notes: "Mariposa is not a real town. On the contrary, it is about seventy or eighty of them. You may find them all the way from Lake Superior to the sea, with the same square streets and the same maple trees and the same churches and hotels." This work has remained popular for its universal appeal. Many of the characters, though modelled on townspeople of Orillia, are small town archetypes. Their shortcomings and weaknesses are presented in a humorous but affectionate way. Often, the narrator exaggerates the importance of the events in Mariposa compared to the rest of the world. For example, when there is a country-wide election, "the town of Mariposa, was, of course, the storm centre and focus point of the whole turmoil." The story of the steamboat Mariposa Belle sinking in Lake Wissanotti is one of the best-loved in the set. The apparent magnitude of this accident is lessened somewhat when it is revealed that the depth of the water is less than six feet. Men from the town come to the rescue in an un-seaworthy lifeboat which sinks beneath them just as they are pulled onto the steamer, and the narrator earnestly remarks that this was "one of the smartest pieces of rescue work ever seen on the lake." In 1923, George Locke commented in the New York Evening Post that library students had chosen the book as one of a dozen "...books of prose fiction would best represent the works of Canadian authors to readers who wish to know something of Canadian life". [1] The book, along with the Champlain statue in Couchiching Beach Park on Lake Couchiching, were used in tourist promotions for the town as proof of Orillia's civic pride in the decades following the 1925 Dominion Day celebrations.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Stephen Leacock FRSC (30 December 1869 - 28 March 1944) was a Canadian teacher, political scientist, writer, and humourist. Between the years 1915 and 1925, he was the best-known English-speaking humourist in the world.[1] He is known for his light humour along with criticisms of people's follies.Early in his career, Leacock turned to fiction, humour, and short reports to supplement (and ultimately exceed) his regular income. His stories, first published in magazines in Canada and the United States and later in novel form, became extremely popular around the world. It was said in 1911 that more people had heard of Stephen Leacock than had heard of Canada. Also, between the years 1915 and 1925, Leacock was the most popular humourist in the English-speaking world. A humourist particularly admired by Leacock was Robert Benchley from New York. Leacock opened correspondence with Benchley, encouraging him in his work and importuning him to compile his work into a book. Benchley did so in 1922, and acknowledged the nagging from north of the border.Near the end of his life, the American comedian Jack Benny recounted how he had been introduced to Leacock's writing by Groucho Marx when they were both young vaudeville comedians. Benny acknowledged Leacock's influence and, fifty years after first reading him, still considered Leacock one of his favorite comic writers. He was puzzled as to why Leacock's work was no longer well known in the United States