Superhero Synergies
Comic Book Characters Go Digital
Herausgeber: Gilmore, James N.; Stork, Matthias
Superhero Synergies
Comic Book Characters Go Digital
Herausgeber: Gilmore, James N.; Stork, Matthias
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
This collection of essays explores the developing relationship between superheroes and various forms of media, examining how the superhero genre, which was once limited primarily to a single medium (comic books/graphic novels) has been developed into video games, digital comics, films, Internet criticism, novelizations, television programs, the fanboy phenomenon, and many other forms of media.
Andere Kunden interessierten sich auch für
- Terrence R. WandtkeThe Meaning of Superhero Comic Books35,99 €
- The Superhero Reader124,99 €
- Jose AlanizDeath, Disability, and the Superhero44,99 €
- Josae AlanizDeath, Disability, and the Superhero125,99 €
- Grant Morrison and the Superhero Renaissance37,99 €
- Gender and the Superhero Narrative43,99 €
- Gender and the Superhero Narrative124,99 €
-
-
-
This collection of essays explores the developing relationship between superheroes and various forms of media, examining how the superhero genre, which was once limited primarily to a single medium (comic books/graphic novels) has been developed into video games, digital comics, films, Internet criticism, novelizations, television programs, the fanboy phenomenon, and many other forms of media.
Produktdetails
- Produktdetails
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 266
- Erscheinungstermin: 1. März 2014
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 589g
- ISBN-13: 9781442232112
- ISBN-10: 1442232110
- Artikelnr.: 40038152
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 266
- Erscheinungstermin: 1. März 2014
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 589g
- ISBN-13: 9781442232112
- ISBN-10: 1442232110
- Artikelnr.: 40038152
James N. Gilmore is a graduate student in the Cinema and Media Studies program at the University of California, Los Angeles. Matthias Stork is a graduate student in the Cinema and Media Studies program at the University of California, Los Angeles. His work has appeared in Frames Cinema Journal, Mediascape, and Media Fields Journal, as well as several anthologies.
Foreword: The Industrial and Economic History of the Superhero Blockbuster,
Drew Morton Introduction: Heroes, Converge!, James N. Gilmore and Matthias
Stork Chapter 1: Will You Like Me When I'm Angry? Discourse of the Digital
in Hulk and The Incredible Hulk, James N. Gilmore Chapter 2: Secret
Origins: Melodrama and the Digital in Hulk, Matt Yockey Chapter 3:
Fantastic Views: Superheroes, Visual Perception, and Digital Perspective,
Lisa Gotto Chapter 4: From Motion Line to Motion Blur: The Integration of
Digital Coloring in the Superhero Comic Book. M.J. Clarke Chapter 5:
Assembling the Avengers: Re-Framing the Superhero Movie through Marvel's
Cinematic Universe, Matthias Stork Chapter 6: From Scientific Romance to
Disney Superhero: Genre Fluidity and the Marketing of John Carter, Andrew
Myers Chapter 7: The Cult of Comic-Con and the Spectacle of Superhero
Marketing, Kevin McDonald Chapter 8: The Dark Knight Levels Up: Batman:
Arkham Asylum and the Convergent Superhero Franchise, Justin Mack Chapter
9: The Fears of a Superhero: Batman Begins and Batman: Arkham Asylum,
Benjamin Beil Chapter 10: "I Am Catwoman, Hear Me Roar": Gender between
Film and Video Game, Martin Hennig Chapter 11: Melodrama, Romance, and the
Celebrity of the Superhero, Benjamin D. Grisanti Chapter 12: In Franchise:
Narrative Coherence and the Multiverse, Russell Backman Chapter 13:
Spectacular Superheroes on Stage: Theatre's Unique Contribution to Batman's
Transmedia Story, Mathias Bremgartner Afterword: When Storyworlds Collide:
Superhero Movies and Transmedia Patchworks, Andreas Rauscher Bibliography
Index About the Contributors About the Editors
Drew Morton Introduction: Heroes, Converge!, James N. Gilmore and Matthias
Stork Chapter 1: Will You Like Me When I'm Angry? Discourse of the Digital
in Hulk and The Incredible Hulk, James N. Gilmore Chapter 2: Secret
Origins: Melodrama and the Digital in Hulk, Matt Yockey Chapter 3:
Fantastic Views: Superheroes, Visual Perception, and Digital Perspective,
Lisa Gotto Chapter 4: From Motion Line to Motion Blur: The Integration of
Digital Coloring in the Superhero Comic Book. M.J. Clarke Chapter 5:
Assembling the Avengers: Re-Framing the Superhero Movie through Marvel's
Cinematic Universe, Matthias Stork Chapter 6: From Scientific Romance to
Disney Superhero: Genre Fluidity and the Marketing of John Carter, Andrew
Myers Chapter 7: The Cult of Comic-Con and the Spectacle of Superhero
Marketing, Kevin McDonald Chapter 8: The Dark Knight Levels Up: Batman:
Arkham Asylum and the Convergent Superhero Franchise, Justin Mack Chapter
9: The Fears of a Superhero: Batman Begins and Batman: Arkham Asylum,
Benjamin Beil Chapter 10: "I Am Catwoman, Hear Me Roar": Gender between
Film and Video Game, Martin Hennig Chapter 11: Melodrama, Romance, and the
Celebrity of the Superhero, Benjamin D. Grisanti Chapter 12: In Franchise:
Narrative Coherence and the Multiverse, Russell Backman Chapter 13:
Spectacular Superheroes on Stage: Theatre's Unique Contribution to Batman's
Transmedia Story, Mathias Bremgartner Afterword: When Storyworlds Collide:
Superhero Movies and Transmedia Patchworks, Andreas Rauscher Bibliography
Index About the Contributors About the Editors
Foreword: The Industrial and Economic History of the Superhero Blockbuster,
Drew Morton Introduction: Heroes, Converge!, James N. Gilmore and Matthias
Stork Chapter 1: Will You Like Me When I'm Angry? Discourse of the Digital
in Hulk and The Incredible Hulk, James N. Gilmore Chapter 2: Secret
Origins: Melodrama and the Digital in Hulk, Matt Yockey Chapter 3:
Fantastic Views: Superheroes, Visual Perception, and Digital Perspective,
Lisa Gotto Chapter 4: From Motion Line to Motion Blur: The Integration of
Digital Coloring in the Superhero Comic Book. M.J. Clarke Chapter 5:
Assembling the Avengers: Re-Framing the Superhero Movie through Marvel's
Cinematic Universe, Matthias Stork Chapter 6: From Scientific Romance to
Disney Superhero: Genre Fluidity and the Marketing of John Carter, Andrew
Myers Chapter 7: The Cult of Comic-Con and the Spectacle of Superhero
Marketing, Kevin McDonald Chapter 8: The Dark Knight Levels Up: Batman:
Arkham Asylum and the Convergent Superhero Franchise, Justin Mack Chapter
9: The Fears of a Superhero: Batman Begins and Batman: Arkham Asylum,
Benjamin Beil Chapter 10: "I Am Catwoman, Hear Me Roar": Gender between
Film and Video Game, Martin Hennig Chapter 11: Melodrama, Romance, and the
Celebrity of the Superhero, Benjamin D. Grisanti Chapter 12: In Franchise:
Narrative Coherence and the Multiverse, Russell Backman Chapter 13:
Spectacular Superheroes on Stage: Theatre's Unique Contribution to Batman's
Transmedia Story, Mathias Bremgartner Afterword: When Storyworlds Collide:
Superhero Movies and Transmedia Patchworks, Andreas Rauscher Bibliography
Index About the Contributors About the Editors
Drew Morton Introduction: Heroes, Converge!, James N. Gilmore and Matthias
Stork Chapter 1: Will You Like Me When I'm Angry? Discourse of the Digital
in Hulk and The Incredible Hulk, James N. Gilmore Chapter 2: Secret
Origins: Melodrama and the Digital in Hulk, Matt Yockey Chapter 3:
Fantastic Views: Superheroes, Visual Perception, and Digital Perspective,
Lisa Gotto Chapter 4: From Motion Line to Motion Blur: The Integration of
Digital Coloring in the Superhero Comic Book. M.J. Clarke Chapter 5:
Assembling the Avengers: Re-Framing the Superhero Movie through Marvel's
Cinematic Universe, Matthias Stork Chapter 6: From Scientific Romance to
Disney Superhero: Genre Fluidity and the Marketing of John Carter, Andrew
Myers Chapter 7: The Cult of Comic-Con and the Spectacle of Superhero
Marketing, Kevin McDonald Chapter 8: The Dark Knight Levels Up: Batman:
Arkham Asylum and the Convergent Superhero Franchise, Justin Mack Chapter
9: The Fears of a Superhero: Batman Begins and Batman: Arkham Asylum,
Benjamin Beil Chapter 10: "I Am Catwoman, Hear Me Roar": Gender between
Film and Video Game, Martin Hennig Chapter 11: Melodrama, Romance, and the
Celebrity of the Superhero, Benjamin D. Grisanti Chapter 12: In Franchise:
Narrative Coherence and the Multiverse, Russell Backman Chapter 13:
Spectacular Superheroes on Stage: Theatre's Unique Contribution to Batman's
Transmedia Story, Mathias Bremgartner Afterword: When Storyworlds Collide:
Superhero Movies and Transmedia Patchworks, Andreas Rauscher Bibliography
Index About the Contributors About the Editors