This collection of essays explores the developing relationship between superheroes and various forms of media, examining how the superhero genre, which was once limited primarily to a single medium (comic books/graphic novels) has been developed into video games, digital comics, films, Internet criticism, novelizations, television programs, the fanboy phenomenon, and many other forms of media.
This collection of essays explores the developing relationship between superheroes and various forms of media, examining how the superhero genre, which was once limited primarily to a single medium (comic books/graphic novels) has been developed into video games, digital comics, films, Internet criticism, novelizations, television programs, the fanboy phenomenon, and many other forms of media.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
James N. Gilmore is a graduate student in the Cinema and Media Studies program at the University of California, Los Angeles. Matthias Stork is a graduate student in the Cinema and Media Studies program at the University of California, Los Angeles. His work has appeared in Frames Cinema Journal, Mediascape, and Media Fields Journal, as well as several anthologies.
Inhaltsangabe
Foreword: The Industrial and Economic History of the Superhero Blockbuster, Drew Morton Introduction: Heroes, Converge!, James N. Gilmore and Matthias Stork Chapter 1: Will You Like Me When I'm Angry? Discourse of the Digital in Hulk and The Incredible Hulk, James N. Gilmore Chapter 2: Secret Origins: Melodrama and the Digital in Hulk, Matt Yockey Chapter 3: Fantastic Views: Superheroes, Visual Perception, and Digital Perspective, Lisa Gotto Chapter 4: From Motion Line to Motion Blur: The Integration of Digital Coloring in the Superhero Comic Book. M.J. Clarke Chapter 5: Assembling the Avengers: Re-Framing the Superhero Movie through Marvel's Cinematic Universe, Matthias Stork Chapter 6: From Scientific Romance to Disney Superhero: Genre Fluidity and the Marketing of John Carter, Andrew Myers Chapter 7: The Cult of Comic-Con and the Spectacle of Superhero Marketing, Kevin McDonald Chapter 8: The Dark Knight Levels Up: Batman: Arkham Asylum and the Convergent Superhero Franchise, Justin Mack Chapter 9: The Fears of a Superhero: Batman Begins and Batman: Arkham Asylum, Benjamin Beil Chapter 10: "I Am Catwoman, Hear Me Roar": Gender between Film and Video Game, Martin Hennig Chapter 11: Melodrama, Romance, and the Celebrity of the Superhero, Benjamin D. Grisanti Chapter 12: In Franchise: Narrative Coherence and the Multiverse, Russell Backman Chapter 13: Spectacular Superheroes on Stage: Theatre's Unique Contribution to Batman's Transmedia Story, Mathias Bremgartner Afterword: When Storyworlds Collide: Superhero Movies and Transmedia Patchworks, Andreas Rauscher Bibliography Index About the Contributors About the Editors
Foreword: The Industrial and Economic History of the Superhero Blockbuster, Drew Morton Introduction: Heroes, Converge!, James N. Gilmore and Matthias Stork Chapter 1: Will You Like Me When I'm Angry? Discourse of the Digital in Hulk and The Incredible Hulk, James N. Gilmore Chapter 2: Secret Origins: Melodrama and the Digital in Hulk, Matt Yockey Chapter 3: Fantastic Views: Superheroes, Visual Perception, and Digital Perspective, Lisa Gotto Chapter 4: From Motion Line to Motion Blur: The Integration of Digital Coloring in the Superhero Comic Book. M.J. Clarke Chapter 5: Assembling the Avengers: Re-Framing the Superhero Movie through Marvel's Cinematic Universe, Matthias Stork Chapter 6: From Scientific Romance to Disney Superhero: Genre Fluidity and the Marketing of John Carter, Andrew Myers Chapter 7: The Cult of Comic-Con and the Spectacle of Superhero Marketing, Kevin McDonald Chapter 8: The Dark Knight Levels Up: Batman: Arkham Asylum and the Convergent Superhero Franchise, Justin Mack Chapter 9: The Fears of a Superhero: Batman Begins and Batman: Arkham Asylum, Benjamin Beil Chapter 10: "I Am Catwoman, Hear Me Roar": Gender between Film and Video Game, Martin Hennig Chapter 11: Melodrama, Romance, and the Celebrity of the Superhero, Benjamin D. Grisanti Chapter 12: In Franchise: Narrative Coherence and the Multiverse, Russell Backman Chapter 13: Spectacular Superheroes on Stage: Theatre's Unique Contribution to Batman's Transmedia Story, Mathias Bremgartner Afterword: When Storyworlds Collide: Superhero Movies and Transmedia Patchworks, Andreas Rauscher Bibliography Index About the Contributors About the Editors
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