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In old Tokyo, known as "Edo" during the early modern period, fashion snaps and entertainment magazines came in the form of "Ukiyo-e" ("pictures of the floating world"). There were many Ukiyo-e shops in Edo, which sold various woodblock prints, just as news agents or book shops sell magazines or posters today. Each Ukiyo-e print was sold individually to customers, who bought these beautifully printed sheets of paper to learn the most up-to-date trends of the day, and who also sometimes enjoyed them as artworks or as interior decor by displaying them on their walls. Following the success of Cats…mehr

Produktbeschreibung
In old Tokyo, known as "Edo" during the early modern period, fashion snaps and entertainment magazines came in the form of "Ukiyo-e" ("pictures of the floating world"). There were many Ukiyo-e shops in Edo, which sold various woodblock prints, just as news agents or book shops sell magazines or posters today. Each Ukiyo-e print was sold individually to customers, who bought these beautifully printed sheets of paper to learn the most up-to-date trends of the day, and who also sometimes enjoyed them as artworks or as interior decor by displaying them on their walls.
Following the success of Cats by Kuniyoshi, this new title features 60 art reproductions of various- and variously surprising- subjects featured in the woodblock prints of the outstanding Ukiyo-e master UTAGAWA Kuniyoshi (1792-1892). Human skulls, ghosts, monsters, yokai and other creatures from Japanese folklore appear alongside human subjects depicted humorously and satirically.
In addition, each of the 60 prints can be removed easily, offering today's readers a fun and authentic way to appreciate Ukiyo-e. The simple, yet unique, design on the back side of each page provides even more creative ideas.
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Autorenporträt
Nobuhisa Kaneko is a curatorial staff of the Fuchu Art Museum, Tokyo. He was born in 1962 in Tokyo and specializes in the history of Edo period (1600-1868) painting. He is the author of Tabi suru Edo kaiga: Rimpa kara dohanga made ( Travelling Edo painting: from Rinpa school to copperplate; PIE Books, 2010) and a co-author of Bessatsu Taiyo Edo Kaiga Nyumon (An Introduction to Edo Painting; Heibonsha, 2007. He has been actively conducting research, curating exhibitions, and writing in his endeavors to bridge the gap between the art of the past and people of today.