Drawing on the rapidly developing field of surveillance studies, this book examines television shows and films-including Lost, Survivor, Minority Report, Enemy of the State, and Nineteen Eighty-Four-that shape our experience of surveillance, both as watchers and as those being watched.
Drawing on the rapidly developing field of surveillance studies, this book examines television shows and films-including Lost, Survivor, Minority Report, Enemy of the State, and Nineteen Eighty-Four-that shape our experience of surveillance, both as watchers and as those being watched.
Sébastien Lefait is Lecturer in English Literature and Film at the University of Corsica.
Inhaltsangabe
Contents Acknowledgements Introduction Chapter 1 Dystopian (Super)Panopticism: from Nineteen Eighty-Four to Orwellian Films Chapter 2 Closed-Circuit Filmmaking: Cinema in the Age of Panopticism Come True Chapter 3 Audiovisual Fiction and Synoptic Surveillance: the Televisualisation of Life Chapter 4 Cinema in the Catoptic Age: Visions of a Sousveillance World Conclusion: Surveillance Screens-The New Site of Film? Bibliography Filmography About the author
Contents Acknowledgements Introduction Chapter 1 Dystopian (Super)Panopticism: from Nineteen Eighty-Four to Orwellian Films Chapter 2 Closed-Circuit Filmmaking: Cinema in the Age of Panopticism Come True Chapter 3 Audiovisual Fiction and Synoptic Surveillance: the Televisualisation of Life Chapter 4 Cinema in the Catoptic Age: Visions of a Sousveillance World Conclusion: Surveillance Screens-The New Site of Film? Bibliography Filmography About the author
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