A cultural and historical analysis of the interest in subliminal messages in media, seen as a form of vernacular critique.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Charles R. Acland is Professor and Communication Studies Research Chair at Concordia University, Montreal. He is the author of Screen Traffic: Movies, Multiplexes, and Global Culture and co-editor of Useful Cinema, both also published by Duke University Press.
Inhaltsangabe
Acknowledgments xi List of Illustrations xiii Prologue: Black Magic on Mars 1 1. Subliminal Communication as Vernacular Media Critique 13 2. Mind, Media, and Remote Control 43 3. The Swift View 65 4. Mind-Probing Ad-Men 91 5. Crossing the Popular Threshold 111 6. The Hidden and the Overload 133 7. From Mass Brainwashing to Rapid Mass Learning 165 8. Textual Strategies for Media Saturation 193 9. Critical Reasoning in a Cluttered Age 227 Notes 239 Bibliography 267 Index 291
Acknowledgments xi List of Illustrations xiii Prologue: Black Magic on Mars 1 1. Subliminal Communication as Vernacular Media Critique 13 2. Mind, Media, and Remote Control 43 3. The Swift View 65 4. Mind-Probing Ad-Men 91 5. Crossing the Popular Threshold 111 6. The Hidden and the Overload 133 7. From Mass Brainwashing to Rapid Mass Learning 165 8. Textual Strategies for Media Saturation 193 9. Critical Reasoning in a Cluttered Age 227 Notes 239 Bibliography 267 Index 291
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