The first major assessment of the work of "American Scene" artist Reginald Marsh (1898-1954) in 30 years.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Morris Dickstein is Distinguished Professor, Graduate Center, and Senior Fellow, Center for the Humanities, City University of New York; Erika Doss is Chair and Professor, Department of American Studies, University of Notre Dame; Barbara Haskell is a curator at the Whitney Museum of American Art; Jackson Lears is Board of Governors Professor of History, Rutgers University; Lance Mayer and Gay Myers are conservators; Sasha Nicholas is an independent curator.
Inhaltsangabe
President's Foreword Curator's Preface Swing Time: Reginald Marsh and the Exuberant Chaos of Modern Life by Barbara Haskell Keeping the Carnival in Town: Reginald Marsh and the Culture of the 1930s by Jackson Lears The Urban Spectacle of Reginald Marsh by Morris Dickstein "Go Out into the Street, Stare at the People":Reginald Marsh and Surveillance Styles in Interwar American Art by Erika Doss Camera-Crazed: Reginald Marsh's Photographs by Sasha Nicholas Marsh's Techniques: The Craft of Painting and the Secrets of the Old Masters in Modern Times by Lance Mayer and Gay Myers Selected bibliography Photo credits Index
President's Foreword Curator's Preface Swing Time: Reginald Marsh and the Exuberant Chaos of Modern Life by Barbara Haskell Keeping the Carnival in Town: Reginald Marsh and the Culture of the 1930s by Jackson Lears The Urban Spectacle of Reginald Marsh by Morris Dickstein "Go Out into the Street, Stare at the People":Reginald Marsh and Surveillance Styles in Interwar American Art by Erika Doss Camera-Crazed: Reginald Marsh's Photographs by Sasha Nicholas Marsh's Techniques: The Craft of Painting and the Secrets of the Old Masters in Modern Times by Lance Mayer and Gay Myers Selected bibliography Photo credits Index
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