Through their own words, Vacher tells their story in Los Angeles, offering along the way a close look at the role the black musicians union played in their lives while also taking on jazz historiography's comparative neglect of these West Coast players.
Through their own words, Vacher tells their story in Los Angeles, offering along the way a close look at the role the black musicians union played in their lives while also taking on jazz historiography's comparative neglect of these West Coast players.
Epigraphs Acknowledgments Snapshot Introduction Chapter 1: Andrew 'Andy' Blakeney Chapter 2: Gideon Joseph 'Gid' Honore, Jr Chapter 3: George Robert Orendorff Chapter 4: Nathaniel Jack 'Monk' Mcfay Chapter 5: Floyd Payne Turnham, Jr Chapter 6: Betty Hall Jones Chapter 7: Mclure 'Red Mack' Morris Chapter 8: Caughey Wesley Roberts II Chapter 9: Chester C. Lane Chapter 10: Isadore Leonidas 'Monte' Easter Chapter 11: William King 'Billy' Hadnott Chapter 12: Norman 'Norm' Leland Bowden Chapter 13: John Richard 'Streamline' Ewing Chapter 14: Charles L. 'Chuck' Thomas, Jr. Chapter 15: Jesse John Sailes Chapter 16: 'Red' Minor W. Robinson Bibliography
Epigraphs Acknowledgments Snapshot Introduction Chapter 1: Andrew 'Andy' Blakeney Chapter 2: Gideon Joseph 'Gid' Honore, Jr Chapter 3: George Robert Orendorff Chapter 4: Nathaniel Jack 'Monk' Mcfay Chapter 5: Floyd Payne Turnham, Jr Chapter 6: Betty Hall Jones Chapter 7: Mclure 'Red Mack' Morris Chapter 8: Caughey Wesley Roberts II Chapter 9: Chester C. Lane Chapter 10: Isadore Leonidas 'Monte' Easter Chapter 11: William King 'Billy' Hadnott Chapter 12: Norman 'Norm' Leland Bowden Chapter 13: John Richard 'Streamline' Ewing Chapter 14: Charles L. 'Chuck' Thomas, Jr. Chapter 15: Jesse John Sailes Chapter 16: 'Red' Minor W. Robinson Bibliography
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