"From a Washington Post critic and self-described meathead: a witty, incisive, poignant exploration of male body image, from the history of the gym to the politics of superheroes to the world of manfluencers"--
"From a Washington Post critic and self-described meathead: a witty, incisive, poignant exploration of male body image, from the history of the gym to the politics of superheroes to the world of manfluencers"--
Michael Andor Brodeur has been the classical music critic at the Washington Post since 2020. Previously, he held editorial and staff-writer positions at the Boston Globe and Boston’s Weekly Dig. His essays, humor, and criticism have also appeared in Nylon, Thrillist, Entrepreneur, Medium , McSweeney’s Internet Tendency and other publications. He has also released 5 music albums under different monikers, most recently writing and performing electronic music under the name New Dad.
Inhaltsangabe
Introduction: Mikey I Adam: Form II Peter: On Manly Health III Lou: Wild at Heart IV Friedrich: Flex V Arnold: To Failure VI Angelo: The Alphas VII Henry: The Drag of Big VIII Touko: Beauty and the Beef IX Big Little: The Pump X Zeus: Membership XI Greg: Real Men XII Bones Acknowledgments Works Cited
Introduction: Mikey I Adam: Form II Peter: On Manly Health III Lou: Wild at Heart IV Friedrich: Flex V Arnold: To Failure VI Angelo: The Alphas VII Henry: The Drag of Big VIII Touko: Beauty and the Beef IX Big Little: The Pump X Zeus: Membership XI Greg: Real Men XII Bones Acknowledgments Works Cited
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