Symbolism in Tibetan Buddist Art - Huber, David C; Glantz, Dave
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The book, by using the actual full color art work painted by the Tibetan monks spanning a period of 600 years adds context and aids in the conceptualization of Buddhist philosophy. The art work symbols and the adjoining symbols provides an artistic progression of the philosophy, demonstrating the flow of thought that line drawings of a single symbol cannot provide. The book provides in depth explanations of symbols, using the ancient scriptures and Buddha's own teachings. It examines the Sanskrit words behind many of the symbols and what those words actually mean. As an example it looks at the…mehr

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Produktbeschreibung
The book, by using the actual full color art work painted by the Tibetan monks spanning a period of 600 years adds context and aids in the conceptualization of Buddhist philosophy. The art work symbols and the adjoining symbols provides an artistic progression of the philosophy, demonstrating the flow of thought that line drawings of a single symbol cannot provide. The book provides in depth explanations of symbols, using the ancient scriptures and Buddha's own teachings. It examines the Sanskrit words behind many of the symbols and what those words actually mean. As an example it looks at the Four-petaled Flower, the Sanskrit word dukkha, representing the Four Noble Truths that leads to the Dharma Wheel and the Eightfold Noble Path and the Sanskrit word samma that is integral to understanding that path. Over the centuries these symbols have evolved in their depictions to include, through art, the natural progression of the philosophical concepts. Another of the strengths of the book is that the full color images are presented on the same page(s) as the conceptual explanations. This makes it much easier to understand and assimilate, no page turning required. There is also an index provided for the researcher to use in going deeper into the various components of the symbolism. The book, by using Tibetan monks, lamas, geshes, in addition to Tibetan scholars at universities through out Tibet as the source for the information we have stayed true to the intended meaning and context of the symbols. There are some misconceptions about some symbols as to what they are and what they mean presented by other books on the subject. By using learned Tibetans inside of Tibet and at the monasteries that produce the art work in Tibet we have stayed true to the identification, thought process and conceptualization of the symbols.
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Autorenporträt
David Huber worked for USNSGA for nearly ten years, with six of those years on the intel side completing several "special missions", as they were then called. He specialized as an in-theater tactical analyst whose primary objective was to locate targets for exploitation and then provide advance warnings for the team in the event of detection by hostile forces. His final years at the agency focused on counter-espionage, completing 88 special assignments. These included working with and alongside US military allies in the Pacific Rim as an advisor during joint operations. Following his government career, David leveraged his skills as an art and antique furniture restoration expert for insurance companies, museums and private clients. He quickly branched into custom furniture design and manufacturing, working in these combined fields for over 20 years. He commenced his current endeavor of saving the surviving Tibetan art in the Golden Valley and started research on the history, art, culture and philosophy of the area, dedicating 15 years to this study. David has an A.S. degree in Computer Science from Coleman College, and a B.S. in the Bible from Southern Christian University, and attended seminary at Turner Theological Seminary.