This book presents an innovative analysis of the role of imagination as a central concept in both literary and art criticism. Dee Reynolds brings this approach to bear on works by Rimbaud, Mallarm, Kandinsky, and Mondrian.
This book presents an innovative analysis of the role of imagination as a central concept in both literary and art criticism. Dee Reynolds brings this approach to bear on works by Rimbaud, Mallarm, Kandinsky, and Mondrian.
List of illustrations Preface Acknowledgements List of abbreviations Introduction 1. Imagination and imaginary space 2. Verbal hallucination: Rimbaud's poetics of rhythm 3. Reflections in black and white: Mallarmé and the act of writing 4. Putting the spectator in the picture: Kandinsky's pictorial world 5. Between the lines: form and transformation in Mondrian 6. Universal exceptions: sites of imaginary space Conclusion Notes Select Bibliography Index.
List of illustrations Preface Acknowledgements List of abbreviations Introduction 1. Imagination and imaginary space 2. Verbal hallucination: Rimbaud's poetics of rhythm 3. Reflections in black and white: Mallarmé and the act of writing 4. Putting the spectator in the picture: Kandinsky's pictorial world 5. Between the lines: form and transformation in Mondrian 6. Universal exceptions: sites of imaginary space Conclusion Notes Select Bibliography Index.
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