Symptoms of the Self: Tuberculosis and the Making of the Modern Stage - Barker, Roberta
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Symptoms of the Self offers the first full study of the stage consumptive. In the nineteenth and early twentieth centuries in France, Britain, and North America, tuberculosis was a leading killer. The consumptive character became a vehicle through which standards of health, beauty, and virtue were imposed; constructions of class, gender, and sexuality were debated; the boundaries of nationhood were transgressed or maintained; and an exceedingly fragile whiteness was held up as a dominant social ideal. By telling the story of tuberculosis on the transatlantic stage, Symptoms of the Self…mehr

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Produktbeschreibung
Symptoms of the Self offers the first full study of the stage consumptive. In the nineteenth and early twentieth centuries in France, Britain, and North America, tuberculosis was a leading killer. The consumptive character became a vehicle through which standards of health, beauty, and virtue were imposed; constructions of class, gender, and sexuality were debated; the boundaries of nationhood were transgressed or maintained; and an exceedingly fragile whiteness was held up as a dominant social ideal. By telling the story of tuberculosis on the transatlantic stage, Symptoms of the Self uncovers some of the wellsprings of modern Western theatrical practice--and of ideas about the self that still affect the way human beings live and die.
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Autorenporträt
Roberta Barker is associate professor of theatre in the Fountain School of Performing Arts, and member of the joint faculty of the University of King's College and Dalhousie University. She is author of Early Modern Tragedy, Gender, and Performance, 1984-2000: The Destined Livery. Barker lives in Halifax, Nova Scotia.