Syncopations - Dickey, Laressa
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Laressa Dickey's Syncopations continues the thematic explorations of her earlier work-family, memory, the American South-but displays a depth and richness all its own. In "Two Holed Mouth," Dickey challenges readers to "hold space for your own I; otherwise someone fills it." This collection makes plenty of such space, demonstrating that Dickey isn't just an accomplished lyric poet and aphorist; she is "a graduate of persistence and traditional courtesies," qualities she combines in ways unique to her work. These poems show readers what can be gained once these courtesies are no longer…mehr

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Produktbeschreibung
Laressa Dickey's Syncopations continues the thematic explorations of her earlier work-family, memory, the American South-but displays a depth and richness all its own. In "Two Holed Mouth," Dickey challenges readers to "hold space for your own I; otherwise someone fills it." This collection makes plenty of such space, demonstrating that Dickey isn't just an accomplished lyric poet and aphorist; she is "a graduate of persistence and traditional courtesies," qualities she combines in ways unique to her work. These poems show readers what can be gained once these courtesies are no longer necessary and persistence has paid off. Readers are treated to a poet in full command of her art who is willing to share the benefits of her hard-won knowledge, making this a truly essential collection. -MATT DUFFUS,
Autorenporträt
Laressa Dickey is an American writer based in Sweden. She's the author of three previous books of poems, Bottomland, Roam, and Twang, as well as several chapbooks, including A Piece of Information About His Invisibility. Together with Andrea Steves, she co-authored Radio Graveyard Orbit, a speculative book about space junk. With Magdalena Freudenschuss, she's written a series of feminist texts entitled: Re:assembling Emotional Labor: On the Politics of Care. Together with her partner Ali Gharavi, she is creating an installation for the Bergen Assembly 2019 entitled How to Pass Time With No Reference, about their experiences inside/outside Turkish prison.