T.S. Eliot's Orchestra
Critical Essays on Poetry and Music
Herausgeber: Xiros Cooper, John
T.S. Eliot's Orchestra
Critical Essays on Poetry and Music
Herausgeber: Xiros Cooper, John
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Nearly everyone who addresses T. S. Eliot's imaginative and critical work must acknowledge the importance of music in thematic and formal terms. This collection of original essays thoroughly explores this aspect of his work from a number of perspectives.
Andere Kunden interessierten sich auch für
- Approaches to Teaching Eliot's Poetry and Plays43,99 €
- Jewel Spears BrookerT. S. Eliot's Dialectical Imagination48,99 €
- Catherine JonesLiterature and Music in the Atlantic World, 1767-1867136,99 €
- Edward BeckettSamuel Beckett and Music249,99 €
- Emily KilpatrickFrench Art Song126,99 €
- Ronald D. CohenWork and Sing: A History of Occupational and Labor Union Songs in the United States31,99 €
- Ros BallasterFictions of Presence142,99 €
-
-
-
Nearly everyone who addresses T. S. Eliot's imaginative and critical work must acknowledge the importance of music in thematic and formal terms. This collection of original essays thoroughly explores this aspect of his work from a number of perspectives.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 374
- Erscheinungstermin: 31. Mai 2000
- Englisch
- Abmessung: 224mm x 147mm x 30mm
- Gewicht: 780g
- ISBN-13: 9780815325772
- ISBN-10: 0815325770
- Artikelnr.: 21663519
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 374
- Erscheinungstermin: 31. Mai 2000
- Englisch
- Abmessung: 224mm x 147mm x 30mm
- Gewicht: 780g
- ISBN-13: 9780815325772
- ISBN-10: 0815325770
- Artikelnr.: 21663519
John Xiros Cooper is an Associate Professor of English at the University of British Columbia. He is the author of two books on T. S. Eliot: T S. Eliot and the Politics of Voice and T S. Eliot and the Ideology of Four Quartets. He has also published articles and book chapters on Eliot, Ezra Pound, William Carlos Williams, David Jones, Joseph Conrad, and modernism.
Introduction
John Xiros Cooper * A Jazz-Banjorine
Not a Lute: Eliot and Popular Music before The Waste Land
David Chinitz * Culture
Race
Rhythm: Sweeney Agonistes and the Live Jazz Break
Kevin McNeilly * Raising Life to a Kind of Art: Eliot and Music Hall
Jonna Mackin * Protective Coloring: Modernism and Blackface Minstrelsy in the Bolo Poems
Jonathan Gill * Thinking with Your Ears: Rhapsody
Prelude
Song in Eliot's Early Lyrics
John Xiros Cooper * Part II: You are the Music; Eliot's Impossible Music
Brad Bucknell * Eliot's Ars Musica Poetica: Sources in French Symbolism
John Adames * Part III: Eliot and the Composers * The Pattern from the Palimpsest: Convergences of Eliot
Tippett
and Shakespeare
Suzanne Robinson * Movements in Time: Four Quartets and the Late String Quartets of Beethoven
David Barndollar * My God
What Has Sound Got to Do with Music?; Interdisciplinarity in Eliot and Ives
J. Robert Browning * Benjamin Britten and T. S. Eliot: Entre Deux Guerres and After
C. F. Pond * Reading Aloud and Composing: Two Ways of Hearing a Poem
David Banks * Orchestrating The Waste Land: Wagner
Leitmotiv
and the Play of Passion
Margaret E. Dana * A Tale of Two Artists: Eliot
Stravinsky
and Disciplinary (Im)Politics
Jayme Stayer * Checklist of Musical Settings of Eliot's Works
Brent Whitted and Andrew Shenton
John Xiros Cooper * A Jazz-Banjorine
Not a Lute: Eliot and Popular Music before The Waste Land
David Chinitz * Culture
Race
Rhythm: Sweeney Agonistes and the Live Jazz Break
Kevin McNeilly * Raising Life to a Kind of Art: Eliot and Music Hall
Jonna Mackin * Protective Coloring: Modernism and Blackface Minstrelsy in the Bolo Poems
Jonathan Gill * Thinking with Your Ears: Rhapsody
Prelude
Song in Eliot's Early Lyrics
John Xiros Cooper * Part II: You are the Music; Eliot's Impossible Music
Brad Bucknell * Eliot's Ars Musica Poetica: Sources in French Symbolism
John Adames * Part III: Eliot and the Composers * The Pattern from the Palimpsest: Convergences of Eliot
Tippett
and Shakespeare
Suzanne Robinson * Movements in Time: Four Quartets and the Late String Quartets of Beethoven
David Barndollar * My God
What Has Sound Got to Do with Music?; Interdisciplinarity in Eliot and Ives
J. Robert Browning * Benjamin Britten and T. S. Eliot: Entre Deux Guerres and After
C. F. Pond * Reading Aloud and Composing: Two Ways of Hearing a Poem
David Banks * Orchestrating The Waste Land: Wagner
Leitmotiv
and the Play of Passion
Margaret E. Dana * A Tale of Two Artists: Eliot
Stravinsky
and Disciplinary (Im)Politics
Jayme Stayer * Checklist of Musical Settings of Eliot's Works
Brent Whitted and Andrew Shenton
Introduction
John Xiros Cooper * A Jazz-Banjorine
Not a Lute: Eliot and Popular Music before The Waste Land
David Chinitz * Culture
Race
Rhythm: Sweeney Agonistes and the Live Jazz Break
Kevin McNeilly * Raising Life to a Kind of Art: Eliot and Music Hall
Jonna Mackin * Protective Coloring: Modernism and Blackface Minstrelsy in the Bolo Poems
Jonathan Gill * Thinking with Your Ears: Rhapsody
Prelude
Song in Eliot's Early Lyrics
John Xiros Cooper * Part II: You are the Music; Eliot's Impossible Music
Brad Bucknell * Eliot's Ars Musica Poetica: Sources in French Symbolism
John Adames * Part III: Eliot and the Composers * The Pattern from the Palimpsest: Convergences of Eliot
Tippett
and Shakespeare
Suzanne Robinson * Movements in Time: Four Quartets and the Late String Quartets of Beethoven
David Barndollar * My God
What Has Sound Got to Do with Music?; Interdisciplinarity in Eliot and Ives
J. Robert Browning * Benjamin Britten and T. S. Eliot: Entre Deux Guerres and After
C. F. Pond * Reading Aloud and Composing: Two Ways of Hearing a Poem
David Banks * Orchestrating The Waste Land: Wagner
Leitmotiv
and the Play of Passion
Margaret E. Dana * A Tale of Two Artists: Eliot
Stravinsky
and Disciplinary (Im)Politics
Jayme Stayer * Checklist of Musical Settings of Eliot's Works
Brent Whitted and Andrew Shenton
John Xiros Cooper * A Jazz-Banjorine
Not a Lute: Eliot and Popular Music before The Waste Land
David Chinitz * Culture
Race
Rhythm: Sweeney Agonistes and the Live Jazz Break
Kevin McNeilly * Raising Life to a Kind of Art: Eliot and Music Hall
Jonna Mackin * Protective Coloring: Modernism and Blackface Minstrelsy in the Bolo Poems
Jonathan Gill * Thinking with Your Ears: Rhapsody
Prelude
Song in Eliot's Early Lyrics
John Xiros Cooper * Part II: You are the Music; Eliot's Impossible Music
Brad Bucknell * Eliot's Ars Musica Poetica: Sources in French Symbolism
John Adames * Part III: Eliot and the Composers * The Pattern from the Palimpsest: Convergences of Eliot
Tippett
and Shakespeare
Suzanne Robinson * Movements in Time: Four Quartets and the Late String Quartets of Beethoven
David Barndollar * My God
What Has Sound Got to Do with Music?; Interdisciplinarity in Eliot and Ives
J. Robert Browning * Benjamin Britten and T. S. Eliot: Entre Deux Guerres and After
C. F. Pond * Reading Aloud and Composing: Two Ways of Hearing a Poem
David Banks * Orchestrating The Waste Land: Wagner
Leitmotiv
and the Play of Passion
Margaret E. Dana * A Tale of Two Artists: Eliot
Stravinsky
and Disciplinary (Im)Politics
Jayme Stayer * Checklist of Musical Settings of Eliot's Works
Brent Whitted and Andrew Shenton