Ruth I. DeFord offers new insights on Renaissance theories of rhythm and their application to the analysis and performance of music.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ruth I. DeFord is Professor Emerita of Hunter College and the Graduate Center, City University of New York. Her principal areas of research are the Italian madrigal and canzonetta and music theory of the Renaissance. She has edited the canzoni of Giovanni Ferretti and the canzonettas of Orazio Vecchi for A-R Editions. Her articles have appeared in numerous scholarly journals.
Inhaltsangabe
Introduction Part I. Theory: 1. Sources of information 2. Principles of mensural notation 3. Definitions and descriptions of Tactus 4. Tactus and rhythm 5. Tactus and signs in fifteenth-century music theory 6. Tactus and signs in sixteenth-century music theory 7. Tactus and tempo Part II. Practice: 8. The songs of Du Fay 9. The L'homme armé masses of Ockeghem, Busnoys, and Josquin 10. The five- and six-voice motets of Josquin 11. The Choralis Constantinus of Isaac 12. The masses of Palestrina 13. The madrigals of Rore 14. Popular songs and dances Conclusion.
Introduction Part I. Theory: 1. Sources of information 2. Principles of mensural notation 3. Definitions and descriptions of Tactus 4. Tactus and rhythm 5. Tactus and signs in fifteenth-century music theory 6. Tactus and signs in sixteenth-century music theory 7. Tactus and tempo Part II. Practice: 8. The songs of Du Fay 9. The L'homme armé masses of Ockeghem, Busnoys, and Josquin 10. The five- and six-voice motets of Josquin 11. The Choralis Constantinus of Isaac 12. The masses of Palestrina 13. The madrigals of Rore 14. Popular songs and dances Conclusion.
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