Combines the critical and the creative, looking at the collisions that arise when Shakespeare texts are recreated in contemporary contexts.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Graham Holderness is a writer and critic who has published, as author or editor, more than sixty books, many on Shakespeare, and hundreds of chapters and articles of criticism, theory and theology. His more recent work has pioneered methods of critical-creative writing, exemplified by Nine Lives of William Shakespeare (Bloomsbury/Arden Shakespeare, 2011); Tales from Shakespeare: Creative Collisions (Cambridge University Press, 2014); and Re-writing Jesus: Christ in 20th Century Fiction and Film (Bloomsbury, 2014): Samurai Shakespeare¿ (EER, 2021). He has published several works of fiction: The Prince of Denmark (University of Hertfordshire Press, 2001; EER, 2021); Ecce Homo (Bloomsbury, 2014); Black and Deep Desires: William Shakespeare Vampire Hunter (Top Hat Books, 2014); and Meat, Murder, Malfeasance, Medicine and Martyrdom: Smithfield Stories (EER, 2019).
Inhaltsangabe
Introduction: from appropriation to collision Part I: 1. The voyage of the Red Dragon 2. 'Shooting an elephant' Part II: 3. Shakespeare and the King James Bible 4. 'Wholly Writ': a play in two acts Part III: 5. The Coriolanus myth 6. 'The lonely dragon' Part IV: 7. Shakespeare and 9/11 8. 'Rudely interrupted' Afterword: 'Tales from Shakespeare'.
Introduction: from appropriation to collision Part I: 1. The voyage of the Red Dragon 2. 'Shooting an elephant' Part II: 3. Shakespeare and the King James Bible 4. 'Wholly Writ': a play in two acts Part III: 5. The Coriolanus myth 6. 'The lonely dragon' Part IV: 7. Shakespeare and 9/11 8. 'Rudely interrupted' Afterword: 'Tales from Shakespeare'.
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