This project provides an in-depth study of narratives about Bluebeard and his wives, or narratives with identifiable Bluebeard motifs, and the intertextual and extratextual personal, political, literary, and sociocultural factors that have made the tale a particularly fertile ground for an author's adaptation of the story.
This project provides an in-depth study of narratives about Bluebeard and his wives, or narratives with identifiable Bluebeard motifs, and the intertextual and extratextual personal, political, literary, and sociocultural factors that have made the tale a particularly fertile ground for an author's adaptation of the story.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Shuli Barzilai is Professor of English at the Hebrew University of Jerusalem.
Inhaltsangabe
List of Figures Acknowledgments 1. The Snake-Charmer's Wife in Genesis Rabbah, or Bluebeard Begins 2. Charles Dickens and Captain Murderer 3. Mr. Thackeray's Closet 4. Miss Thackeray's Uses of Enchantment 5. The Infernal Desire Machines in Anne Thackeray Ritchie's Bluebeard's Keys and Angela Carter's "The Bloody Chamber" 6. The Bluebeard Syndrome in Margaret Atwood's Lady Oracle: Fear and Femininity 7. The Party Consciousness: When Texts Get Together in Margaret Atwood's "Bluebeard's Egg" Notes Bibliography Index
List of Figures Acknowledgments 1. The Snake-Charmer's Wife in Genesis Rabbah, or Bluebeard Begins 2. Charles Dickens and Captain Murderer 3. Mr. Thackeray's Closet 4. Miss Thackeray's Uses of Enchantment 5. The Infernal Desire Machines in Anne Thackeray Ritchie's Bluebeard's Keys and Angela Carter's "The Bloody Chamber" 6. The Bluebeard Syndrome in Margaret Atwood's Lady Oracle: Fear and Femininity 7. The Party Consciousness: When Texts Get Together in Margaret Atwood's "Bluebeard's Egg" Notes Bibliography Index
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