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Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - THERE are certain themes of which the interest is all-absorbing, but which are too entirely horrible for the purposes of legitimate fiction. These the mere romanticist must eschew, if he do not wish to offend or to disgust. They are with propriety handled only when the severity and majesty of Truth sanctify and sustain them. We thrill, for example, with the most intense of "pleasurable pain" over the accounts of the Passage of the Beresina, of the Earthquake at Lisbon, of the Plague at London, of the Massacre of St. Bartholomew, or of the stifling of the hundred and twenty-three prisoners in the Black Hole at Calcutta. But in these accounts it is the fact - it is the reality - it is the history which excites. As inventions, we should regard them with simple abhorrence. I have mentioned some few of the more prominent and august calamities on record; but in these it is the extent, not less than the character of the calamity, which so vividly impresses the fancy. I need not remind the reader that, from the long and weird catalogue of human miseries, I might have selected many individual instances more replete with essential suffering than any of these vast generalities of disaster.
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Edgar Allan Poe (1909-1949) was an American writer and is often regarded the central figure of the United States' Romantic movement. He was one of the first American writers to become more famous in Europe than in his country of birth. Best known for his poetry and short mystery stories, he's a prominent figure in both the detective fiction and science fiction genres. His most notable works include the 1843 short story 'The Tell-Tale Heart' and the 1845 poem 'The Raven'.
