Tamta's World - Eastmond, Antony (Courtauld Institute of Art, London)
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This book tells the compelling story of a Christian noble woman named Tamta in the thirteenth century. Born to an Armenian family at the court of queen Tamar of Georgia, she was ransomed in marriage to nephews of Saladin, after her father was captured during a siege. She was later raped and then married by the Khwarazmshah and held hostage by the Mongols, before being made an independent ruler in eastern Anatolia under them. Her tale stretches from the Mediterranean to Mongolia and reveals the extraordinary connections across continents and cultures that one woman could experience. Without a…mehr

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Produktbeschreibung
This book tells the compelling story of a Christian noble woman named Tamta in the thirteenth century. Born to an Armenian family at the court of queen Tamar of Georgia, she was ransomed in marriage to nephews of Saladin, after her father was captured during a siege. She was later raped and then married by the Khwarazmshah and held hostage by the Mongols, before being made an independent ruler in eastern Anatolia under them. Her tale stretches from the Mediterranean to Mongolia and reveals the extraordinary connections across continents and cultures that one woman could experience. Without a voice of her own surviving monuments - monasteries and mosques, caravanserais and palaces - build up a picture of Tamta's world and the roles women played in it. It explores how women's identities changed between different courts, with shifting languages, religions and cultures, and between their roles as daughters, wives, mothers and widows.
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Autorenporträt
Antony Eastmond is A. G. Leventis Professor of Art History at the Courtauld Institute of Art, University of London. He has published extensively on the world of eastern Christianity and its connections with the Islamic world around it, especially in Georgia and the Caucasus, and Trebizond. He has also published on Late Antique and Byzantine art, with a particular interest in ivories and the visual power of inscriptions. Notable among his works are Royal Imagery in Medieval Georgia (1998), Art and Identity in Thirteenth-Century Byzantium: Hagia Sophia and the Empire of Trebizond (2004), The Glory of Byzantium and Early Christendom (2013) and Viewing Inscriptions in the Late Antique and Medieval World (2015).