New York City, 1950. Cantor Gold, art smuggler and dapper dyke-about-town, hunts for a missing masterpiece she's risked her life to bring through the port of New York. She must outsmart the Law that wants to jail her; outrun the dockside gangsters who would let her take the fall for murder; and outplay a shady art dealer, his lover, and a beautiful curator who toys with Cantor's passion. Through it all, Cantor must stay out of the gunsights of a killer who's knocking off rivals for the missing masterpiece-and stay alive to solve the mystery of her stolen love: Sophie de la Luna y Sol. A Cantor Gold Crime…mehr
New York City, 1950. Cantor Gold, art smuggler and dapper dyke-about-town, hunts for a missing masterpiece she's risked her life to bring through the port of New York. She must outsmart the Law that wants to jail her; outrun the dockside gangsters who would let her take the fall for murder; and outplay a shady art dealer, his lover, and a beautiful curator who toys with Cantor's passion. Through it all, Cantor must stay out of the gunsights of a killer who's knocking off rivals for the missing masterpiece-and stay alive to solve the mystery of her stolen love: Sophie de la Luna y Sol. A Cantor Gold CrimeHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Native New Yorker Ann Aptaker's first book, Criminal Gold, was a Golden Crown Literary Society Goldie Award finalist. Her next book, Tarnished Gold (Book Two in the Cantor Gold Crime Series), was honored with a Lambda Literary Award and a Goldie Award. Told from the point of view of a dapper, custom-tailored lesbian art thief and smuggler, and set in mid-20th century New York, the Cantor Gold series resurrects the outlaw spirit of lesbian life, its daring and sensuality. Ann's short stories have appeared in two editions of the crime anthology Fedora, edited by award-winning crime author Michael Bracken. Her flash fiction story, "A Night In Town," appeared in the online zine Punk Soul Poet, and another flash fiction story is included in the anthology Happy Hours: Our Lives in Gay Bars, edited by Lee Lynch and Renée Bess. Ann still occasionally curates and designs art exhibitions, is an art writer for various New York clients and a contributing writer to the children's science television show Space Racers, and is an adjunct professor of art and art history at the New York Institute of Technology.
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