Covering the widest array of manuscript evidence to date, this book reconstructs the compositional and editorial practices by which Tatian the Assyrian wrote his Gospel.
Covering the widest array of manuscript evidence to date, this book reconstructs the compositional and editorial practices by which Tatian the Assyrian wrote his Gospel.
James W. Barker is Associate Professor of New Testament at Western Kentucky University. In 2014 he received the Paul J. Achtemeier Award for New Testament Scholarship. He is the author of John's Use of Matthew (Fortress Press, 2015).
Inhaltsangabe
Introduction 1: An Overview of Diatessaron Witnesses 2: Tatian's Compositional Practices 3: Characteristics of the Diatessaron's Sequence 4: Quintessential Changes in the Western Archetype 5: The Priority of Codex Fuldensis 6: The Priority of the Stuttgart-Liège-Zurich Harmonies 7: The Western Archetype as a Sufficient Hypothesis Conclusion Appendix: Comparison of Sequences of the Arabic Harmony, Stuttgart-Liège-Zurich Harmonies, and Codex Fuldensis
Introduction 1: An Overview of Diatessaron Witnesses 2: Tatian's Compositional Practices 3: Characteristics of the Diatessaron's Sequence 4: Quintessential Changes in the Western Archetype 5: The Priority of Codex Fuldensis 6: The Priority of the Stuttgart-Liège-Zurich Harmonies 7: The Western Archetype as a Sufficient Hypothesis Conclusion Appendix: Comparison of Sequences of the Arabic Harmony, Stuttgart-Liège-Zurich Harmonies, and Codex Fuldensis
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