Technologies of Critique elaborates a critical practice that eludes critique's capture by institutional and market logics. Building on Chile's history of dissident art and its entangling of politics and aesthetics, Thayer engages continental philosophical traditions, to help pinpoint the technologies and media through which art intervenes critically in socio-political life.
Technologies of Critique elaborates a critical practice that eludes critique's capture by institutional and market logics. Building on Chile's history of dissident art and its entangling of politics and aesthetics, Thayer engages continental philosophical traditions, to help pinpoint the technologies and media through which art intervenes critically in socio-political life.
Willy Thayer is a prominent a prominent Chilean philosopher, art critic, and media theorist. He is Professor of Philosophy at Universidad Metropolitana de Ciencias de la Educación, where he founded the Program in Critical Thought, and Professor of Film Theory at Universidad de Chile, in Santiago. He has written many books in Spanish and has curated gallery exhibits and shows in Europe and Latin America. He has held visiting professorships at Duke Unviersity, Yale University, UNAM (Mexico), and Universidad Complutense de Madrid.
Inhaltsangabe
Translation Has Always Already Begun: Translator's Introduction vii 1 Critique and Life 1 2 Critique and Work 5 3 The Kríno Constellation 8 4 Technologies of Critique 10 5 The Word "Critique" 14 6 Marx's Critical Turn 18 7 Crisis and Avant-Garde 19 8 Critical Attitude 24 9 Sovereign Critique I 25 10 Hyperbole 28 11 Sovereign Critique II 31 12 The Epoch of Critique 33 13 Critique within the Frame, Critique of the Frame 35 14 Manet: The Kant of Painting 38 15 Heidegger's Demand 40 16 Critique and Figure 44 17 Thought and Figure 46 18 The Leveling of the Pit 49 19 The Clash of Film and Theater 51 20 Critique's Loss of Aura 54 21 Critique and Mass 55 22 Nihil and Philosophy 60 23 Jenny 62 24 The Epoch of Nihilism. Nihil as Epoch. 66 25 The Exhausted Age 70 26 The Coexistence of Technologies: Marx 73 27 Referential Illusion 75 28 Critique and Installation 76 29 Critique as the Unworking of Theater 82 30 Destruction 86 31 Sovereign Exception, Destructive Exception 87 32 The Absolute Drought of Critique 95 33 Sorel: Sovereign Critique 97 34 Benjamin: Pure Strike and Critique 104 35 The Destruction of Theater 107 36 Thought Is Inseparable from a Critique 111 Notes 115 Index 171
Translation Has Always Already Begun: Translator's Introduction vii 1 Critique and Life 1 2 Critique and Work 5 3 The Kríno Constellation 8 4 Technologies of Critique 10 5 The Word "Critique" 14 6 Marx's Critical Turn 18 7 Crisis and Avant-Garde 19 8 Critical Attitude 24 9 Sovereign Critique I 25 10 Hyperbole 28 11 Sovereign Critique II 31 12 The Epoch of Critique 33 13 Critique within the Frame, Critique of the Frame 35 14 Manet: The Kant of Painting 38 15 Heidegger's Demand 40 16 Critique and Figure 44 17 Thought and Figure 46 18 The Leveling of the Pit 49 19 The Clash of Film and Theater 51 20 Critique's Loss of Aura 54 21 Critique and Mass 55 22 Nihil and Philosophy 60 23 Jenny 62 24 The Epoch of Nihilism. Nihil as Epoch. 66 25 The Exhausted Age 70 26 The Coexistence of Technologies: Marx 73 27 Referential Illusion 75 28 Critique and Installation 76 29 Critique as the Unworking of Theater 82 30 Destruction 86 31 Sovereign Exception, Destructive Exception 87 32 The Absolute Drought of Critique 95 33 Sorel: Sovereign Critique 97 34 Benjamin: Pure Strike and Critique 104 35 The Destruction of Theater 107 36 Thought Is Inseparable from a Critique 111 Notes 115 Index 171
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