Technology and the Diva
Sopranos, Opera, and Media from Romanticism to the Digital Age
Herausgeber: Henson, Karen
Technology and the Diva
Sopranos, Opera, and Media from Romanticism to the Digital Age
Herausgeber: Henson, Karen
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Focuses on the operatic soprano as the diva and her relationships with technology from the 1820s to the digital age.
Andere Kunden interessierten sich auch für
- Kevin AllredAin't I a Diva?: Beyoncé and the Power of Pop Culture Pedagogy17,99 €
- Robert F WatersThe Stage Works of Philip Glass35,99 €
- Richard WagnerThe Ring of the Nibelung23,99 €
- Tim CarterStaging 'Euridice'32,99 €
- David CharltonPopular Opera in Eighteenth-Century France36,99 €
- Ernest NewmanThe Life of Richard Wagner73,99 €
- Jane FulcherThe Nation's Image49,99 €
-
-
-
Focuses on the operatic soprano as the diva and her relationships with technology from the 1820s to the digital age.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 244
- Erscheinungstermin: 21. Februar 2019
- Englisch
- Abmessung: 246mm x 189mm x 13mm
- Gewicht: 445g
- ISBN-13: 9781108723336
- ISBN-10: 1108723330
- Artikelnr.: 54784242
- Verlag: Cambridge University Press
- Seitenzahl: 244
- Erscheinungstermin: 21. Februar 2019
- Englisch
- Abmessung: 246mm x 189mm x 13mm
- Gewicht: 445g
- ISBN-13: 9781108723336
- ISBN-10: 1108723330
- Artikelnr.: 54784242
A chronology Hannah Clancy, David Gutkin and Lucie Vágnerová; Introduction:
of modern operatic mythologies and technologies Karen Henson; 1.
Mythologies of the diva in nineteenth-century French theater Isabelle
Moindrot; 2. Coloratura and technology in the mid nineteenth-century mad
scene Sean M. Parr; 3. Photographic diva: Massenet's relationship with the
soprano Sibyl Sanderson Karen Henson; 4. 'Pretending to be wicked': divas,
technology, and the consumption of Bizet's Carmen Susan Rutherford; 5. The
silent diva: Farrar's Carmen Melina Esse; 6. The domestic diva: toward an
operatic history of the telephone Lydia Goehr; 7. The absent diva: notes
toward a life of Cathy Berberian Arman Schwartz; 8. The televisual
apotheosis of the diva in István Szabó's Meeting Venus Heather Hadlock; 9.
Diva poses by Anna Netrebko: on the perception of the extraordinary in the
twenty-first century Clemens Risi; Afterword: opera, media, technicity
Jonathan Sterne.
of modern operatic mythologies and technologies Karen Henson; 1.
Mythologies of the diva in nineteenth-century French theater Isabelle
Moindrot; 2. Coloratura and technology in the mid nineteenth-century mad
scene Sean M. Parr; 3. Photographic diva: Massenet's relationship with the
soprano Sibyl Sanderson Karen Henson; 4. 'Pretending to be wicked': divas,
technology, and the consumption of Bizet's Carmen Susan Rutherford; 5. The
silent diva: Farrar's Carmen Melina Esse; 6. The domestic diva: toward an
operatic history of the telephone Lydia Goehr; 7. The absent diva: notes
toward a life of Cathy Berberian Arman Schwartz; 8. The televisual
apotheosis of the diva in István Szabó's Meeting Venus Heather Hadlock; 9.
Diva poses by Anna Netrebko: on the perception of the extraordinary in the
twenty-first century Clemens Risi; Afterword: opera, media, technicity
Jonathan Sterne.
A chronology Hannah Clancy, David Gutkin and Lucie Vágnerová; Introduction:
of modern operatic mythologies and technologies Karen Henson; 1.
Mythologies of the diva in nineteenth-century French theater Isabelle
Moindrot; 2. Coloratura and technology in the mid nineteenth-century mad
scene Sean M. Parr; 3. Photographic diva: Massenet's relationship with the
soprano Sibyl Sanderson Karen Henson; 4. 'Pretending to be wicked': divas,
technology, and the consumption of Bizet's Carmen Susan Rutherford; 5. The
silent diva: Farrar's Carmen Melina Esse; 6. The domestic diva: toward an
operatic history of the telephone Lydia Goehr; 7. The absent diva: notes
toward a life of Cathy Berberian Arman Schwartz; 8. The televisual
apotheosis of the diva in István Szabó's Meeting Venus Heather Hadlock; 9.
Diva poses by Anna Netrebko: on the perception of the extraordinary in the
twenty-first century Clemens Risi; Afterword: opera, media, technicity
Jonathan Sterne.
of modern operatic mythologies and technologies Karen Henson; 1.
Mythologies of the diva in nineteenth-century French theater Isabelle
Moindrot; 2. Coloratura and technology in the mid nineteenth-century mad
scene Sean M. Parr; 3. Photographic diva: Massenet's relationship with the
soprano Sibyl Sanderson Karen Henson; 4. 'Pretending to be wicked': divas,
technology, and the consumption of Bizet's Carmen Susan Rutherford; 5. The
silent diva: Farrar's Carmen Melina Esse; 6. The domestic diva: toward an
operatic history of the telephone Lydia Goehr; 7. The absent diva: notes
toward a life of Cathy Berberian Arman Schwartz; 8. The televisual
apotheosis of the diva in István Szabó's Meeting Venus Heather Hadlock; 9.
Diva poses by Anna Netrebko: on the perception of the extraordinary in the
twenty-first century Clemens Risi; Afterword: opera, media, technicity
Jonathan Sterne.