Using accessible language and examples, this volume examines how certain technologies, selected for their social significance, have influenced literary practices and cultural production Ireland, while also examining how technology has been embraced as a theme by Irish writers, from early Irish literature to the most contemporary fiction.
Using accessible language and examples, this volume examines how certain technologies, selected for their social significance, have influenced literary practices and cultural production Ireland, while also examining how technology has been embraced as a theme by Irish writers, from early Irish literature to the most contemporary fiction.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction Margaret Kelleher and James O'Sullivan; Part I. Genealogies: 1. Print as technology: the case of the Irish language 1571-1850 Marc Caball; 2. Printing and publishing technologies: 1700-1820 Máire Kennedy; 3. The optical telegraph, the United Irish press, and Maria Edgeworth's 'White Pigeon' Joanna Wharton; 4. Technologies of sound: telephone/gramophone Chris Morash; Part II. Infrastructures: 5. Electric signs and echo chambers: the stupidity of affect in modern Irish literature Barry Sheils; 6. Literature and the technologies of radio and television Robert Savage; 7. The re-tuning of the world itself': Irish poetry on the radio Ian Whittington; Part III. Invention: 8. Technology, writing and place in medieval Irish literature Máire Ní Mhaonaigh; 9. The critique of sola scriptura in a tale of a tub and STEM in Gulliver's travels Sean Moore; 10. Technology and Irish modernism Kathryn Conrad; 11. W. B. Yeats, the revival and scientific invention Aoife Lynch; 12. James Joyce, Irish modernism and watch technology Katherine Ebury; 13. Technology, terminology and the Irish language, past and present Sharon Arbuthnot; Part IV. The Digital: 14. Irish literary feminism and its digital archive(s) Margaret Kelleher and Karen Wade; 15. Consoling machines in contemporary Irish fiction Claire Lynch; 16. 'At me too someone is looking': staging surveillance in Irish theatre Victor Merriman; 17. Technology in contemporary Irish poetry: data at 'the edge of language' Anne Karhio; 18. Irish digital literature James O'Sullivan.
Introduction Margaret Kelleher and James O'Sullivan; Part I. Genealogies: 1. Print as technology: the case of the Irish language 1571-1850 Marc Caball; 2. Printing and publishing technologies: 1700-1820 Máire Kennedy; 3. The optical telegraph, the United Irish press, and Maria Edgeworth's 'White Pigeon' Joanna Wharton; 4. Technologies of sound: telephone/gramophone Chris Morash; Part II. Infrastructures: 5. Electric signs and echo chambers: the stupidity of affect in modern Irish literature Barry Sheils; 6. Literature and the technologies of radio and television Robert Savage; 7. The re-tuning of the world itself': Irish poetry on the radio Ian Whittington; Part III. Invention: 8. Technology, writing and place in medieval Irish literature Máire Ní Mhaonaigh; 9. The critique of sola scriptura in a tale of a tub and STEM in Gulliver's travels Sean Moore; 10. Technology and Irish modernism Kathryn Conrad; 11. W. B. Yeats, the revival and scientific invention Aoife Lynch; 12. James Joyce, Irish modernism and watch technology Katherine Ebury; 13. Technology, terminology and the Irish language, past and present Sharon Arbuthnot; Part IV. The Digital: 14. Irish literary feminism and its digital archive(s) Margaret Kelleher and Karen Wade; 15. Consoling machines in contemporary Irish fiction Claire Lynch; 16. 'At me too someone is looking': staging surveillance in Irish theatre Victor Merriman; 17. Technology in contemporary Irish poetry: data at 'the edge of language' Anne Karhio; 18. Irish digital literature James O'Sullivan.
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