Technology, Sustainability and the Fashion Industry
Can Fashion Save the World?
Herausgeber: Schramme, Annick; Verboven, Nathalie
Technology, Sustainability and the Fashion Industry
Can Fashion Save the World?
Herausgeber: Schramme, Annick; Verboven, Nathalie
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There is widespread rhetorical agreement that the fashion industry must get itself onto a more sustainable footing. What does this mean in practice, and how can sustainability be achieved in different regions around the world?
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There is widespread rhetorical agreement that the fashion industry must get itself onto a more sustainable footing. What does this mean in practice, and how can sustainability be achieved in different regions around the world?
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 292
- Erscheinungstermin: 15. Mai 2024
- Englisch
- Abmessung: 234mm x 156mm x 19mm
- Gewicht: 617g
- ISBN-13: 9781032641362
- ISBN-10: 1032641363
- Artikelnr.: 70147761
- Verlag: Taylor & Francis
- Seitenzahl: 292
- Erscheinungstermin: 15. Mai 2024
- Englisch
- Abmessung: 234mm x 156mm x 19mm
- Gewicht: 617g
- ISBN-13: 9781032641362
- ISBN-10: 1032641363
- Artikelnr.: 70147761
Annick Schramme is Professor and Academic Director of the Master Cultural Management and the Master Responsible Fashion Management at the University of Antwerp/Antwerp Management School, Belgium. Nathalie Verboven is a Researcher and Teaching Assistant in Cultural Management and supports the Summer School on Responsible Fashion Management at the University of Antwerp, Belgium.
List of Figures. List of Tables. List of Contributors. Introduction.
Chapter 1: Digital Clothes and the Future of Fashion. Chapter 2:
Digitisation of Fashion Design Education: Covid-19 and the Digital Shift.
Chapter 3: Technology and the Future of the Fashion Designer. Chapter 4:
Fashion Resilience. Chapter 5: The Future of Fashion Events: The Case of
Mercedes-Benz Prague Fashion Week. Chapter 6: Digital Tools in the Fashion
Industry: fish skin garments and Ainu fish skin traditions. Chapter 7:
Intergenerational Workforces in the Fashion Industry. Chapter 8:
Ecological Crisis and Fashion Design Education: A Plant Metaphor. Chapter
9: Future-focussed Sustainable Fashion Design Thinking in Education.
Chapter 10: Case Studies for Sustainable Creative Fashion Design Education.
Chapter 11: Idealised Body Image and Fashion Design Education. Chapter 12:
Haunting Alternative Fashion Futures. Chapter 13: Analysing Distributed
Sartorial Networks. Chapter 14: Collaborative and Fair Trade Models in the
Fashion Industry: The Case of Peruvian Connection. Chapter 15: Inclusive
Fashion and Traditional Jewellery. Chapter 16: Nationalist Politics versus
Global Inclusivity: The Case of Indian Fashion Magazines. Chapter 17:
Breast Reconstruction, 'Going-Flat'', Femininity and the Fashion Industry.
Chapter 1: Digital Clothes and the Future of Fashion. Chapter 2:
Digitisation of Fashion Design Education: Covid-19 and the Digital Shift.
Chapter 3: Technology and the Future of the Fashion Designer. Chapter 4:
Fashion Resilience. Chapter 5: The Future of Fashion Events: The Case of
Mercedes-Benz Prague Fashion Week. Chapter 6: Digital Tools in the Fashion
Industry: fish skin garments and Ainu fish skin traditions. Chapter 7:
Intergenerational Workforces in the Fashion Industry. Chapter 8:
Ecological Crisis and Fashion Design Education: A Plant Metaphor. Chapter
9: Future-focussed Sustainable Fashion Design Thinking in Education.
Chapter 10: Case Studies for Sustainable Creative Fashion Design Education.
Chapter 11: Idealised Body Image and Fashion Design Education. Chapter 12:
Haunting Alternative Fashion Futures. Chapter 13: Analysing Distributed
Sartorial Networks. Chapter 14: Collaborative and Fair Trade Models in the
Fashion Industry: The Case of Peruvian Connection. Chapter 15: Inclusive
Fashion and Traditional Jewellery. Chapter 16: Nationalist Politics versus
Global Inclusivity: The Case of Indian Fashion Magazines. Chapter 17:
Breast Reconstruction, 'Going-Flat'', Femininity and the Fashion Industry.
List of Figures. List of Tables. List of Contributors. Introduction.
Chapter 1: Digital Clothes and the Future of Fashion. Chapter 2:
Digitisation of Fashion Design Education: Covid-19 and the Digital Shift.
Chapter 3: Technology and the Future of the Fashion Designer. Chapter 4:
Fashion Resilience. Chapter 5: The Future of Fashion Events: The Case of
Mercedes-Benz Prague Fashion Week. Chapter 6: Digital Tools in the Fashion
Industry: fish skin garments and Ainu fish skin traditions. Chapter 7:
Intergenerational Workforces in the Fashion Industry. Chapter 8:
Ecological Crisis and Fashion Design Education: A Plant Metaphor. Chapter
9: Future-focussed Sustainable Fashion Design Thinking in Education.
Chapter 10: Case Studies for Sustainable Creative Fashion Design Education.
Chapter 11: Idealised Body Image and Fashion Design Education. Chapter 12:
Haunting Alternative Fashion Futures. Chapter 13: Analysing Distributed
Sartorial Networks. Chapter 14: Collaborative and Fair Trade Models in the
Fashion Industry: The Case of Peruvian Connection. Chapter 15: Inclusive
Fashion and Traditional Jewellery. Chapter 16: Nationalist Politics versus
Global Inclusivity: The Case of Indian Fashion Magazines. Chapter 17:
Breast Reconstruction, 'Going-Flat'', Femininity and the Fashion Industry.
Chapter 1: Digital Clothes and the Future of Fashion. Chapter 2:
Digitisation of Fashion Design Education: Covid-19 and the Digital Shift.
Chapter 3: Technology and the Future of the Fashion Designer. Chapter 4:
Fashion Resilience. Chapter 5: The Future of Fashion Events: The Case of
Mercedes-Benz Prague Fashion Week. Chapter 6: Digital Tools in the Fashion
Industry: fish skin garments and Ainu fish skin traditions. Chapter 7:
Intergenerational Workforces in the Fashion Industry. Chapter 8:
Ecological Crisis and Fashion Design Education: A Plant Metaphor. Chapter
9: Future-focussed Sustainable Fashion Design Thinking in Education.
Chapter 10: Case Studies for Sustainable Creative Fashion Design Education.
Chapter 11: Idealised Body Image and Fashion Design Education. Chapter 12:
Haunting Alternative Fashion Futures. Chapter 13: Analysing Distributed
Sartorial Networks. Chapter 14: Collaborative and Fair Trade Models in the
Fashion Industry: The Case of Peruvian Connection. Chapter 15: Inclusive
Fashion and Traditional Jewellery. Chapter 16: Nationalist Politics versus
Global Inclusivity: The Case of Indian Fashion Magazines. Chapter 17:
Breast Reconstruction, 'Going-Flat'', Femininity and the Fashion Industry.