61,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in über 4 Wochen
  • Broschiertes Buch

Television for Women is a timely intervention into the broader analysis of television across genre, across time, and from a range of international perspectives. The book opens with a Preface from Charlotte Brunsdon, a leading figure in feminist television studies, followed by an introduction by the editors explaining the continued salience of critical analysis of gendered television and its relationship to the formulations of television and women and also television by women. Bringing together established and emergent scholars the collection re-invigorates the field of feminist television…mehr

Produktbeschreibung
Television for Women is a timely intervention into the broader analysis of television across genre, across time, and from a range of international perspectives. The book opens with a Preface from Charlotte Brunsdon, a leading figure in feminist television studies, followed by an introduction by the editors explaining the continued salience of critical analysis of gendered television and its relationship to the formulations of television and women and also television by women. Bringing together established and emergent scholars the collection re-invigorates the field of feminist television studies by placing the question of television's address to women at the heart of all its contributions.
Autorenporträt
Rachel Moseley is Director of the Centre for Television History, Heritage and Memory Research in the Department of Film and Television Studies at the University of Warwick. She has published widely on popular television and film, with a particular interest in questions of history, address and representation. She is the author of Hand-Made Television: Stop-Frame Animation for Children in Britain, 1961-1974 (2016). Helen Wheatley is Associate Professor (Reader) in Film and Television at the University of Warwick, UK, and co-founder of the Centre for Television History, Heritage and Memory Research. She has published widely on television history and aesthetics and is the author of Gothic Television (2006) and Spectacular Television: Exploring Televisual Pleasure (2016). She is also editor of Re-viewing Television History: Critical Issues in Television Historiography (2007). Helen Wood is Professor of Media and Communication at the University of Leicester and has published widely on television, audiences, class, and gender. She is author of Talking with Television (2009) and with Beverley Skeggs, Reacting to Reality Television (2012); she has also edited Reality Television and Class with Beverley Skeggs (2011) and is editor of the European Journal of Cultural Studies.