This is the first detailed study of the rich vein of mockumentary television programmes, covering series such as The Larry Sanders Show, The Daily Show, and the British and American versions of The Office to discuss how producers have experimented with mockumentary as a distinctive approach to storytelling.
This is the first detailed study of the rich vein of mockumentary television programmes, covering series such as The Larry Sanders Show, The Daily Show, and the British and American versions of The Office to discuss how producers have experimented with mockumentary as a distinctive approach to storytelling.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Craig Hight is Senior Lecturer in Screen and Media Studies at the University of Waikato, New Zealand
Inhaltsangabe
List of figures Preface Acknowledgements Introduction I: Defining mockumentary 1. Mockumentary discourse: a call to play 2. The mockumentary across media II: Mockumentary in televisual space 3. The televisual space 4. Television and the real: documentary traditions and hybrid forms 5. Television realism, drama-documentary and dramatic vérité 6. Comedic traditions: satire, sitcom and comedy vérité III: Television mockumentary series 7. Experimenting with mockumentary forms 8. Surveillance and discipline: fake news and mock-reality TV 9. Mockusoaps: people and places Conclusion Filmography Bibliography Index
List of figures Preface Acknowledgements Introduction I: Defining mockumentary 1. Mockumentary discourse: a call to play 2. The mockumentary across media II: Mockumentary in televisual space 3. The televisual space 4. Television and the real: documentary traditions and hybrid forms 5. Television realism, drama-documentary and dramatic vérité 6. Comedic traditions: satire, sitcom and comedy vérité III: Television mockumentary series 7. Experimenting with mockumentary forms 8. Surveillance and discipline: fake news and mock-reality TV 9. Mockusoaps: people and places Conclusion Filmography Bibliography Index
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