Tellers, Tales, and Translation argues that Chaucer often recast a coordinating idea or set of concerns in the portraits, prologues, tales, and epilogues that make up a 'Canterbury' performance.
Tellers, Tales, and Translation argues that Chaucer often recast a coordinating idea or set of concerns in the portraits, prologues, tales, and epilogues that make up a 'Canterbury' performance.
Warren Ginsberg is Philip H. Knight Professor of Humanities at the University of Oregon. His books include Chaucer's Italian Tradition (2002); Dante's Aesthetics of Being (1999); and The Cast of Character: The Representation of Personality in Ancient and Medieval Literature (1983). He has also edited Wynnere and Wastour and The Parlement of the Thre Ages for the Middle English Text Series (1992). A Guggenheim Fellow (1999), he has published many articles on Chaucer, Dante, Boccaccio, Petrarch, and Ovid.
Inhaltsangabe
Introduction: Links and Translation in the Canterbury Tales 1: Models of Translation: Ovid, Dante 2: Models of Translation: Boccaccio's Early Romances 3: Interruption: The Franklin 4: The Dancer and the Dance: Alice, Wife of Bath 5: Transit and Revision: The Clerk and the Merchant 6: Misdirection and Subversion: The Pardoner 7: Translation as Repetition: The Miller Conclusion: Chaucer's Translations Bibliography
Introduction: Links and Translation in the Canterbury Tales 1: Models of Translation: Ovid, Dante 2: Models of Translation: Boccaccio's Early Romances 3: Interruption: The Franklin 4: The Dancer and the Dance: Alice, Wife of Bath 5: Transit and Revision: The Clerk and the Merchant 6: Misdirection and Subversion: The Pardoner 7: Translation as Repetition: The Miller Conclusion: Chaucer's Translations Bibliography
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
