From two world wars to rapid industrialization and population shifts, events of the twentieth century engendered cultural anxieties to an extent hitherto unseen, particularly in Europe. In Telling Anxiety, Jennifer Willging examines manifestations of such anxieties in the selected narratives of four women writing in French.
From two world wars to rapid industrialization and population shifts, events of the twentieth century engendered cultural anxieties to an extent hitherto unseen, particularly in Europe. In Telling Anxiety, Jennifer Willging examines manifestations of such anxieties in the selected narratives of four women writing in French.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jennifer Willging is an associate professor in the Department of French and Italian at Ohio State University.
Inhaltsangabe
Acknowledgments Introduction: Narrative Anxiety, Narrative Desire PART ONE: NARRATING THE SELF, NARRATING THE OTHER 1 ‘Truth’ in Memory and Narrative: Marguerite Duras’s ‘Monsieur X. dit ici Pierre Rabier’ 2 Shame in Memory and Narrative: Annie Ernaux’s La honte PART TWO: NARRATING LIFE, NARRATING DEATH 3 The Anxiety of Influence and the Urge to Originate: Nathalie Sarraute’s Entre la vie et la mort 4 The Sound of the Semiotic: Anne Hébert’s Les fous de Bassan Conclusion Notes Bibliography Index
Acknowledgments Introduction: Narrative Anxiety, Narrative Desire PART ONE: NARRATING THE SELF, NARRATING THE OTHER 1 ‘Truth’ in Memory and Narrative: Marguerite Duras’s ‘Monsieur X. dit ici Pierre Rabier’ 2 Shame in Memory and Narrative: Annie Ernaux’s La honte PART TWO: NARRATING LIFE, NARRATING DEATH 3 The Anxiety of Influence and the Urge to Originate: Nathalie Sarraute’s Entre la vie et la mort 4 The Sound of the Semiotic: Anne Hébert’s Les fous de Bassan Conclusion Notes Bibliography Index
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