Andere Kunden interessierten sich auch für
![From Bilingual to Biliterate: Secondary Discourse Abilities in Bilingual Children¿s Story Telling]( "From Bilingual to Biliterate: Secondary Discourse Abilities in Bilingual Children¿s Story Telling")
From Bilingual to Biliterate: Secondary Discourse Abilities in Bilingual Children¿s Story Telling84,65 €![A Stylistic and Thematic Analysis of Kiswahili Short Stories]( "A Stylistic and Thematic Analysis of Kiswahili Short Stories")
A Stylistic and Thematic Analysis of Kiswahili Short Stories38,99 €![Society and Communication in Jewish American Short Stories]( "Society and Communication in Jewish American Short Stories")
Society and Communication in Jewish American Short Stories32,99 €![Poetic Speech in Carl Sandburg's Rootabaga Stories]( "Poetic Speech in Carl Sandburg's Rootabaga Stories")
Poetic Speech in Carl Sandburg's Rootabaga Stories32,99 €![Political and Social Satire in Contemporary Amharic Stories]( "Political and Social Satire in Contemporary Amharic Stories")
Political and Social Satire in Contemporary Amharic Stories32,99 €![TEACHING A FOREIGN LANGUAGE: A STUDY OF TPRS]( "TEACHING A FOREIGN LANGUAGE: A STUDY OF TPRS")
TEACHING A FOREIGN LANGUAGE: A STUDY OF TPRS32,99 €![Translation in Second Language Writing]( "Translation in Second Language Writing")
Translation in Second Language Writing32,99 €
In order for Australia to become truly postcolonial, narrative models need to be transformed. Political responses to contemporary Australia must acknowledge writing as a site to listen in to contemporary Australia and also as a productive force. Lisa Slater has assembled three texts, Kim Scott s Benang, Stephen Muecke s No Road and Margaret Somerville s Body/Landscape Journals, to perform what she argues is a contemporary dialogue. These three texts attempt to generate a postcolonial Australia through composing nomadic, dialogic and anti-colonial forms of storytelling. In turn, the re-forming of Australian textual landscapes participates in the remaking of the country and its people. In drawing these works together, Slater argues that Scott s, Muecke s and Somerville s writing practices, in all their difference, are fuelled by an ethical imperative to face the implications of living in a contested country, and also to generate anti-colonial ways of being in the world.