Guides modern performers and scholars through the intricacies of German Baroque metric theory, via analyses of treatises and organ music by J.S. Bach and other leading composers, such as Buxtehude, Bruhns, and Weckman.
Guides modern performers and scholars through the intricacies of German Baroque metric theory, via analyses of treatises and organ music by J.S. Bach and other leading composers, such as Buxtehude, Bruhns, and Weckman.
Notes to the Reader Introduction The Foundation of German Baroque Tempo Theory: Michael Praetorius Duple Meter Triple and Compound Meter: Proportional Relationships "2" and Blackened/Whitened Notation Beat Patterns and Tempo Source Excerpts Tempo Words The Functional Equivalency of Integer Valor Duple Meters in Later Seventeenth-Century Organ Music Stylus Phantasticus Differentiations Between Various Integer Valor Duple Meters in Johann Sebastian Bach's Music The Large Allabreve and the Kirnbergian Small Allabreve Triple Meter and Tempo Words Case Studies Final Remarks, Summary, and Synthesis
Notes to the Reader Introduction The Foundation of German Baroque Tempo Theory: Michael Praetorius Duple Meter Triple and Compound Meter: Proportional Relationships "2" and Blackened/Whitened Notation Beat Patterns and Tempo Source Excerpts Tempo Words The Functional Equivalency of Integer Valor Duple Meters in Later Seventeenth-Century Organ Music Stylus Phantasticus Differentiations Between Various Integer Valor Duple Meters in Johann Sebastian Bach's Music The Large Allabreve and the Kirnbergian Small Allabreve Triple Meter and Tempo Words Case Studies Final Remarks, Summary, and Synthesis
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