Preface: from strange diagonal to weaver's shuttle Part I. Victorian Warp: Perception: 1. Tennyson's stupidity - and ours 2. Dream houses of 'etherisity': Poe and Tennyson 3. The aesthetic of particularity and the aesthetic of vagueness: the owl and the eagle 4. The sharp and the blurred: Julia Margaret Cameron and Tennyson 5. The mirror and the echo en abyme in Victorian poetry interweave - my lady('s) shuttle: the alienation of work into text Part II. Victorian Woof: Representative Men and Mystified Women: 6. Homeric competition: mythic reflections of representative men 7. From sensuous idea to mythic woman: knowledge, wisdom, and Pallas Athene 8. Tennyson choosing: the three women 9. Choosing Tennyson: the stranger's hovering sword 10. Last words: Tennyson's Cymbeline Bibliography.
Preface: from strange diagonal to weaver's shuttle Part I. Victorian Warp: Perception: 1. Tennyson's stupidity - and ours 2. Dream houses of 'etherisity': Poe and Tennyson 3. The aesthetic of particularity and the aesthetic of vagueness: the owl and the eagle 4. The sharp and the blurred: Julia Margaret Cameron and Tennyson 5. The mirror and the echo en abyme in Victorian poetry interweave - my lady('s) shuttle: the alienation of work into text Part II. Victorian Woof: Representative Men and Mystified Women: 6. Homeric competition: mythic reflections of representative men 7. From sensuous idea to mythic woman: knowledge, wisdom, and Pallas Athene 8. Tennyson choosing: the three women 9. Choosing Tennyson: the stranger's hovering sword 10. Last words: Tennyson's Cymbeline Bibliography.
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