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Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - Because Edith had not been feeling very well, that seemed no reason why she should be the centre of interest; and Bruce, with that jealousy of the privileges of the invalid and in that curious spirit of rivalry which his wife had so often observed, had started, with enterprise, an indisposition of his own, as if to divert public attention. While he was at Carlsbad he heard the news. Then he received a letter from Edith, speaking…mehr

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Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - Because Edith had not been feeling very well, that seemed no reason why she should be the centre of interest; and Bruce, with that jealousy of the privileges of the invalid and in that curious spirit of rivalry which his wife had so often observed, had started, with enterprise, an indisposition of his own, as if to divert public attention. While he was at Carlsbad he heard the news. Then he received a letter from Edith, speaking with deference and solicitude of Bruce's rheumatism, entreating him to do the cure thoroughly, and suggesting that they should call the little girl Matilda, after a rich and sainted - though still living - aunt of Edith's. It might be an advantage to the child's future (in every sense) to have a godmother so wealthy and so religious. It appeared from the detailed description that the new daughter had, as a matter of course (and at two days old), long golden hair, far below her waist, sweeping lashes and pencilled brows, a rosebud mouth, an intellectual forehead, chiselled features and a tall, elegant figure. She was a magnificent, regal-looking creature and was a superb beauty of the classic type, and yet with it she was dainty and winsome. She had great talent for music. This, it appeared, was shown by the breadth between the eyes and the timbre of her voice.
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Autorenporträt
Ada Esther Leverson was a British novelist and writer born on October 10, 1862, in Beddington, United Kingdom. She was best known for her wit and keen observations of society, which she skillfully weaved into her novels. Leverson's works often explore the complexities of love, relationships, and the social dynamics of the time. Her novels, such as Love's Shadow (1908) and Tenterhooks (1912), focus on romantic entanglements, personal dilemmas, and the intricacies of societal expectations. Her writing is marked by a light, witty tone, yet often subtly critiques the conventions of the upper classes. She was married to Ernest Leverson and was the daughter of Samuel Henry Beddington. Ada Leverson's literary career, while successful in her time, is perhaps most remembered for her contribution to the genre of the British social novel. She passed away on August 30, 1933, in Florence, Italy, at the age of 70. Despite a more subdued recognition today, her work remains appreciated for its deft portrayal of social mores and relationships during the late 19th and early 20th centuries.