The macabre world of monsters, killers on the loose and revenge from beyond the grave existed not only in the movies, but also on the radio before television's dominance in American homes. One of many distinct genres born of early broadcasting, terror-inspiring radio thrilled millions. Nearly 80 such programs, many of enduring sophistication, aired every week in the late 1940s. This first full-length study of golden age horror radio focuses on six representative programs, starting with The Witch's Tale in 1931 and ending with The Mysterious Traveler in 1952. Each chapter is a critically and…mehr
The macabre world of monsters, killers on the loose and revenge from beyond the grave existed not only in the movies, but also on the radio before television's dominance in American homes. One of many distinct genres born of early broadcasting, terror-inspiring radio thrilled millions. Nearly 80 such programs, many of enduring sophistication, aired every week in the late 1940s. This first full-length study of golden age horror radio focuses on six representative programs, starting with The Witch's Tale in 1931 and ending with The Mysterious Traveler in 1952. Each chapter is a critically and historically informed study of one series. The book ends with a look at the demise of horror radio and its enduring influence. Photographs are included.
Richard J. Hand is a professor of media practice and the director of drama at the School of Art, Media and American Studies and the School of Literature, Drama and Creative Writing at the University of East Anglia in Norwich.
Inhaltsangabe
Table of Contents Acknowledgments viii Radio and the Power of Imagination: A Foreword by David Kogan Preface Terror on the Air: An Introduction 1. Horror Beyond Horror: Horror Radio in the Golden Age of American Broadcasting 2. Hosts and Music, Sound and Silence: Narrative Techniques and Formal Strategies in Horror Radio 3. The Cult of the Actor: Acting and Genre in Horror Radio of the Golden Age 4. The Grandmother of Horror Radio: Alonzo Deen Cole and The Witch's Tale (1931-1938) 5. The Ultimate in Horror: Lights Out (1934-1947), Arch Oboler and Horror 6. Exploring Horror Form and Genre: The Hermit's Cave (1935-1944) 7. The Paradigm of Horror Radio: Himan Brown and Inner Sanctum Mysteries (1941-1952) 8. The Eclectic Horrors of Robert A. Arthur and David Kogan: The Mysterious Traveler (1943-1952) 9. The Unsettling Universe of Wyllis Cooper and Ernest Chappell: Quiet, Please (1947-1949) 10. Conclusion Bibliography Index
Table of Contents Acknowledgments viii Radio and the Power of Imagination: A Foreword by David Kogan Preface Terror on the Air: An Introduction 1. Horror Beyond Horror: Horror Radio in the Golden Age of American Broadcasting 2. Hosts and Music, Sound and Silence: Narrative Techniques and Formal Strategies in Horror Radio 3. The Cult of the Actor: Acting and Genre in Horror Radio of the Golden Age 4. The Grandmother of Horror Radio: Alonzo Deen Cole and The Witch's Tale (1931-1938) 5. The Ultimate in Horror: Lights Out (1934-1947), Arch Oboler and Horror 6. Exploring Horror Form and Genre: The Hermit's Cave (1935-1944) 7. The Paradigm of Horror Radio: Himan Brown and Inner Sanctum Mysteries (1941-1952) 8. The Eclectic Horrors of Robert A. Arthur and David Kogan: The Mysterious Traveler (1943-1952) 9. The Unsettling Universe of Wyllis Cooper and Ernest Chappell: Quiet, Please (1947-1949) 10. Conclusion Bibliography Index
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