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Tessitura, Italian 'texture', borrows a musical conceptual term, denoting the textural sweep of melodic contour-kind of safe-space-for a singer or instrumentalist. This collection is intended as a corresponding writerly-space in which I bring together various drifts of work, assemble them into poetry's visual equivalence of music's soundscape. The poems are grounded-and sometimes take flight from-my comfort-zone roots in the South-West of England-its continuity of personal ancestors and especially its successive memory chain of often forgotten women writers, several of whom make their presence known in the central sequence 'Devon women; Lost W/rites'.…mehr

Produktbeschreibung
Tessitura, Italian 'texture', borrows a musical conceptual term, denoting the textural sweep of melodic contour-kind of safe-space-for a singer or instrumentalist. This collection is intended as a corresponding writerly-space in which I bring together various drifts of work, assemble them into poetry's visual equivalence of music's soundscape. The poems are grounded-and sometimes take flight from-my comfort-zone roots in the South-West of England-its continuity of personal ancestors and especially its successive memory chain of often forgotten women writers, several of whom make their presence known in the central sequence 'Devon women; Lost W/rites'.
Autorenporträt
JULIE SAMPSON is the author of two non-fiction books - Elite Wrestling (McGraw Hill 2007) and Beginning Wrestling (Sterling Publishing 2000). Her articles have been published in The New York Times and Newsday. She was the sports editor of Imprint newspapers in Connecticut. She was the winner of the Fall 2020 Writer's Weekly 24-hour short story contest. The Eye in the Ceiling is her first novel.