Text & Presentation, 2009

Herausgeber: Gounaridou, Kiki

• Broschiertes Buch

Produktbeschreibung

Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This edition includes papers from the 33rd annual conference held in Los Angeles, California. Topics covered include Bernard Shaw's use of gardens and libraries in Widowers' Houses, Northern Ireland emergency law in Brian Friel's The Freedom of the City, cannibalism and surrogation in Hamletmachine, Sergei Eisenstein's and Charlie Chaplin's use of the ""montage of attraction,"" and adaptations of classic Greek tragedy in Mexico and Taiwan, among other topics.

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Produktdetails

• The Comparative Drama Conference Series Nr.6
• Verlag: McFarland
• Seitenzahl: 216
• Erscheinungstermin: 8. März 2010
• Englisch
• Abmessung: 229mm x 152mm x 13mm
• Gewicht: 358g
• ISBN-13: 9780786447060
• ISBN-10: 0786447060
• Artikelnr.: 28179218

Autorenporträt

Kiki Gounaridou teaches theatre history and theory in the Department of Theatre at Smith College. She has published articles, books, and reviews on theatre. An award-winning theatre director, she lives in Northampton, Massachusetts.

Inhaltsangabe

Table of Contents
Acknowledgments     
Preface     
1. Where's a Saint When You Need One? The Influence of Edmund Campion's
Ambrosia on Shakespeare's Macbeth     
(Mary Frances Williams)
2. The (Im)perfect Wagnerite: Bernard Shaw and Richard Wagner     
(Christopher Innes)
3. Gardens and Libraries in Shaw's Widowers' Houses: "Life Here Is a
Perfect Idyll"     
(Tony J. Stafford)
4. Relative Facts: Emergency Law, Northern Ireland, and Brian Friel's The
Freedom of the City     
(Peter Leman)
5. The Totalitarian Non-Tragedy of American Business in the French Plays of
Michel Vinaver     
(Les Essif )
6. Attacking the Canon through the Corpse: Cannibalism and Surrogation in
Hamletmachine     
(Sonya Freeman Loftis)
7. A Liberating Cruelty: Two Adaptations of Classical Tragedy for the
Mexican Stage     
(Francisco Barrenechea)
8. Troy, Troy ... Taiwan: Transformation from Epic to Elegy     
(Wen-ling Lin)
9. Peeling Empire: Y¿ Miri's Performance of "Resident Korean" in Japan     
( John D. Swain)
10. Ping Chong's Postcolonial Historicism and Theatricalism: Pojagi in The
East-West Quartet     
(Yuko Kurahashi)
11. Great Souls, Big Wheels, and Other Words: Experiments with Truth and
Representation in Verbatim Theatre     
(Donald McManus)
12. "Sounds Indistinguishable from Sights": Staging Subjectivity in Katie
Mitchell's Waves     
(Sharon Friedman)
13. Down with Plot: Eisenstein, the Tramp, and the Subversiveness of
"Montage of Attraction"     
(Sascha Just)
14. Rita Felski's Rethinking Tragedy: A Review Essay     
(Helen Moritz)
Review of Literature: Selected Books
Bernard Freydberg, Philosophy and Comedy: Aristophanes, Logos, and Eros
     
(Michael J. Griffin)
Margaret Jane Kidnie, Shakespeare and the Problem of Adaptation     
(Michael Shapiro)
Mary Trotter, Modern Irish Theatre; Shaun Richards, ed., The Cambridge
Companion to Twentieth-Century Irish Drama; John P. Harrington, ed.,
Modern and Contemporary Irish Drama, 2nd edition     
(Kelly Younger)
Emily Roxworthy, The Spectacle of Japanese American Trauma: Racial
Performativity and World War II     
(Carol Fisher Sorgenfrei)
Neilesh Bose, ed., Beyond Bollywood and Broadway: Plays from the South
Asian Diaspora     
(Kristen Rudisill)
Jon D. Rossini, Contemporary Latina/o Theater: Wrighting Ethnicity     
(Yael Prizant)
Sharon Friedman, ed., Feminist Theatrical Revisions of Classic Works:
Critical Essays     
(Laura Snyder)
Index