Presenting some of the best work from the 2017 Comparative Drama Conference at Rollins College in Winter Park, Florida, this collection highlights the latest research in comparative drama, performance and dramatic textual analysis. Contributors cover a broad range of topics, from the "practical ethnography" of directing foreign language productions to writing for theoretical stages to the "radical deaf theater" of Aaron Sawyer's The Vineyard. A full transcript of the keynote conversation with American playwright and screenwriter Lisa Loomer is included.
Presenting some of the best work from the 2017 Comparative Drama Conference at Rollins College in Winter Park, Florida, this collection highlights the latest research in comparative drama, performance and dramatic textual analysis. Contributors cover a broad range of topics, from the "practical ethnography" of directing foreign language productions to writing for theoretical stages to the "radical deaf theater" of Aaron Sawyer's The Vineyard. A full transcript of the keynote conversation with American playwright and screenwriter Lisa Loomer is included.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jay Malarcher is an associate professor of theatre and dramaturg at the School of Theatre & Dance, West Virginia University, Morgantown.
Inhaltsangabe
Table of Contents Acknowledgments vii Preface 1 A Conversation with Lisa Loomer (Amy Muse) 5 Advancing Accessibility: The "Radical Deaf Theatre" of Aaron Sawyer's The Vineyard (Mary Lutze) 19 Irreconcilable Differences: Charles I, Henrietta Maria, and Jones's and Townshend's Court Masques (Mark Scott) 40 Form and Frenzy in Caryl Churchill's and David Lan's A Mouthful of Birds (Melinda Powers) 55 Skepticism in Marlowe's Doctor Faustus: Examining Man's Inefficacy through Suspect Language (Emily L. Sharrett) 70 Reading Ahead: An Analysis of Editorial Prolegomena in Shakespeare's Complete Works (Melinda M. Marks) 86 Jonson Is for Closers: Reflections on "Original Practice" (Joe Falocco) 95 "You Ain't Nothing but a Hoochie-Mama": Explorations of Black Female Promiscuity in Contemporary Media Productions (Devair Jeffries) 106 The Drama of the Ungifted Child or, Where's the Old Confidence, Biff? (Doug Phillips) 122 A Chameleon Anthology: Williams's Source Plays Preview Variant Baby Dolls (Jeffrey B. Loomis) 140 James and Nora Joyce's "Greatest Love Story Never Told": Jonathan Brielle's Musical Himself and Norä(William Hutchings) 153 On Bearing Witness to a Poetic Ritual: Robert Wilson's Deafman Glance as Seen by János Pilinszky (Enik Sepsi) 167 Out of the Classroom and into the Community: A "Practical Ethnography" in Directing Foreign Language Theatre (Scott D. Taylor) 180 What Is the Future of la compagnie in French Theatre? (Cynthia G. Running-Johnson) 195 Review of Literature: Selected Books Daniel Sack, ed. Imagined Theatres: Writing for a Theoretical Stage (Ariel Watson) 209 Julie Bates. Beckett's Art of Salvage: Writing and Material Imagination, 1932-1987 (Robert Reginio) 213 Jean-Michel Rabaté. Think, Pig! Beckett at the Limit of the Human (Doug Phillips) 217 Richard Preiss and Deanne Williams, eds. Childhood, Education and the Stage in Early Modern England (Jennifer Heller) 222 Adrienne Macki Braconi. Harlem's Theaters: A Staging Ground for Community, Class, and Contradiction, 1923-1939 (Beck Holden) 226 Penny Farfan. Performing Queer Modernism (Rachel Busse) 230 Index 235
Table of Contents Acknowledgments vii Preface 1 A Conversation with Lisa Loomer (Amy Muse) 5 Advancing Accessibility: The "Radical Deaf Theatre" of Aaron Sawyer's The Vineyard (Mary Lutze) 19 Irreconcilable Differences: Charles I, Henrietta Maria, and Jones's and Townshend's Court Masques (Mark Scott) 40 Form and Frenzy in Caryl Churchill's and David Lan's A Mouthful of Birds (Melinda Powers) 55 Skepticism in Marlowe's Doctor Faustus: Examining Man's Inefficacy through Suspect Language (Emily L. Sharrett) 70 Reading Ahead: An Analysis of Editorial Prolegomena in Shakespeare's Complete Works (Melinda M. Marks) 86 Jonson Is for Closers: Reflections on "Original Practice" (Joe Falocco) 95 "You Ain't Nothing but a Hoochie-Mama": Explorations of Black Female Promiscuity in Contemporary Media Productions (Devair Jeffries) 106 The Drama of the Ungifted Child or, Where's the Old Confidence, Biff? (Doug Phillips) 122 A Chameleon Anthology: Williams's Source Plays Preview Variant Baby Dolls (Jeffrey B. Loomis) 140 James and Nora Joyce's "Greatest Love Story Never Told": Jonathan Brielle's Musical Himself and Norä(William Hutchings) 153 On Bearing Witness to a Poetic Ritual: Robert Wilson's Deafman Glance as Seen by János Pilinszky (Enik Sepsi) 167 Out of the Classroom and into the Community: A "Practical Ethnography" in Directing Foreign Language Theatre (Scott D. Taylor) 180 What Is the Future of la compagnie in French Theatre? (Cynthia G. Running-Johnson) 195 Review of Literature: Selected Books Daniel Sack, ed. Imagined Theatres: Writing for a Theoretical Stage (Ariel Watson) 209 Julie Bates. Beckett's Art of Salvage: Writing and Material Imagination, 1932-1987 (Robert Reginio) 213 Jean-Michel Rabaté. Think, Pig! Beckett at the Limit of the Human (Doug Phillips) 217 Richard Preiss and Deanne Williams, eds. Childhood, Education and the Stage in Early Modern England (Jennifer Heller) 222 Adrienne Macki Braconi. Harlem's Theaters: A Staging Ground for Community, Class, and Contradiction, 1923-1939 (Beck Holden) 226 Penny Farfan. Performing Queer Modernism (Rachel Busse) 230 Index 235
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
