Text & Presentation, 2017
Herausgeber: Malarcher, Jay
Text & Presentation, 2017
Herausgeber: Malarcher, Jay
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Presenting some of the best work from the 2017 Comparative Drama Conference at Rollins College in Winter Park, Florida, this collection highlights the latest research in comparative drama, performance and dramatic textual analysis. Contributors cover a broad range of topics, from the "practical ethnography" of directing foreign language productions to writing for theoretical stages to the "radical deaf theater" of Aaron Sawyer's The Vineyard. A full transcript of the keynote conversation with American playwright and screenwriter Lisa Loomer is included.
Andere Kunden interessierten sich auch für
- Francis BeaumontThe Works Of Beaumont & Fletcher: The Text Formed From A New Collation Of The Early Editions; Volume 333,99 €
- AnonymousDramatic Works; the Text of the First Edition28,99 €
- Samuel BaileyOn the Received Text of Shakespeare's Dramatic Writings, and its Improvement26,99 €
- Francis BeaumontThe Works Of Beaumont & Fletcher: The Text Formed From A New Collation Of The Early Editions; Volume 831,99 €
- Albert Romer FreyThe Comedies, Histories, and Tragedies of Mr. William Shakespeare As Presented at the Globe and Blackfriars Theatres, Circa 1591-1623: Being the Text24,99 €
- Samuel BaileyOn The Received Text Of Shakespeare's Dramatic Writings V228,99 €
- Samuel BaileyOn the Received Text of Shakespeare's Dramatic Writings and its Improvement; Volume II29,99 €
-
-
-
Presenting some of the best work from the 2017 Comparative Drama Conference at Rollins College in Winter Park, Florida, this collection highlights the latest research in comparative drama, performance and dramatic textual analysis. Contributors cover a broad range of topics, from the "practical ethnography" of directing foreign language productions to writing for theoretical stages to the "radical deaf theater" of Aaron Sawyer's The Vineyard. A full transcript of the keynote conversation with American playwright and screenwriter Lisa Loomer is included.
Produktdetails
- Produktdetails
- The Comparative Drama Conference Series Nr.14
- Verlag: McFarland
- Seitenzahl: 248
- Erscheinungstermin: 9. März 2018
- Englisch
- Abmessung: 229mm x 152mm x 15mm
- Gewicht: 408g
- ISBN-13: 9781476670362
- ISBN-10: 1476670366
- Artikelnr.: 51521523
- The Comparative Drama Conference Series Nr.14
- Verlag: McFarland
- Seitenzahl: 248
- Erscheinungstermin: 9. März 2018
- Englisch
- Abmessung: 229mm x 152mm x 15mm
- Gewicht: 408g
- ISBN-13: 9781476670362
- ISBN-10: 1476670366
- Artikelnr.: 51521523
Jay Malarcher is an associate professor of theatre and dramaturg at the School of Theatre & Dance, West Virginia University, Morgantown.
Table of Contents Acknowledgments
vii Preface
1 A Conversation with Lisa Loomer (Amy Muse)
5 Advancing Accessibility: The "Radical Deaf Theatre" of Aaron Sawyer's The Vineyard (Mary Lutze)
19 Irreconcilable Differences: Charles I, Henrietta Maria, and Jones's and Townshend's Court Masques (Mark Scott)
40 Form and Frenzy in Caryl Churchill's and David Lan's A Mouthful of Birds (Melinda Powers)
55 Skepticism in Marlowe's Doctor Faustus: Examining Man's Inefficacy through Suspect Language (Emily L. Sharrett)
70 Reading Ahead: An Analysis of Editorial Prolegomena in Shakespeare's Complete Works
(Melinda M. Marks)
86 Jonson Is for Closers: Reflections on "Original Practice" (Joe Falocco)
95 "You Ain't Nothing but a Hoochie-Mama": Explorations of Black Female Promiscuity in Contemporary Media Productions (Devair Jeffries)
106 The Drama of the Ungifted Child or, Where's the Old Confidence, Biff? (Doug Phillips)
122 A Chameleon Anthology: Williams's Source Plays Preview Variant Baby Dolls (Jeffrey B. Loomis)
140 James and Nora Joyce's "Greatest Love Story Never Told": Jonathan Brielle's Musical Himself and Norä(William Hutchings)
153 On Bearing Witness to a Poetic Ritual: Robert Wilson's Deafman Glance as Seen by János Pilinszky (Enik
Sepsi)
167 Out of the Classroom and into the Community: A "Practical Ethnography" in Directing Foreign Language Theatre (Scott D. Taylor)
180 What Is the Future of la compagnie in French Theatre? (Cynthia G. Running-Johnson)
195 Review of Literature: Selected Books Daniel Sack, ed. Imagined Theatres: Writing for a Theoretical Stage (Ariel Watson)
209 Julie Bates. Beckett's Art of Salvage: Writing and Material Imagination, 1932-1987 (Robert Reginio)
213 Jean-Michel Rabaté. Think, Pig! Beckett at the Limit of the Human
(Doug Phillips)
217 Richard Preiss and Deanne Williams, eds. Childhood, Education and the Stage in Early Modern England (Jennifer Heller)
222 Adrienne Macki Braconi. Harlem's Theaters: A Staging Ground for Community, Class, and Contradiction, 1923-1939 (Beck Holden)
226 Penny Farfan. Performing Queer Modernism (Rachel Busse)
230 Index
235
vii Preface
1 A Conversation with Lisa Loomer (Amy Muse)
5 Advancing Accessibility: The "Radical Deaf Theatre" of Aaron Sawyer's The Vineyard (Mary Lutze)
19 Irreconcilable Differences: Charles I, Henrietta Maria, and Jones's and Townshend's Court Masques (Mark Scott)
40 Form and Frenzy in Caryl Churchill's and David Lan's A Mouthful of Birds (Melinda Powers)
55 Skepticism in Marlowe's Doctor Faustus: Examining Man's Inefficacy through Suspect Language (Emily L. Sharrett)
70 Reading Ahead: An Analysis of Editorial Prolegomena in Shakespeare's Complete Works
(Melinda M. Marks)
86 Jonson Is for Closers: Reflections on "Original Practice" (Joe Falocco)
95 "You Ain't Nothing but a Hoochie-Mama": Explorations of Black Female Promiscuity in Contemporary Media Productions (Devair Jeffries)
106 The Drama of the Ungifted Child or, Where's the Old Confidence, Biff? (Doug Phillips)
122 A Chameleon Anthology: Williams's Source Plays Preview Variant Baby Dolls (Jeffrey B. Loomis)
140 James and Nora Joyce's "Greatest Love Story Never Told": Jonathan Brielle's Musical Himself and Norä(William Hutchings)
153 On Bearing Witness to a Poetic Ritual: Robert Wilson's Deafman Glance as Seen by János Pilinszky (Enik
Sepsi)
167 Out of the Classroom and into the Community: A "Practical Ethnography" in Directing Foreign Language Theatre (Scott D. Taylor)
180 What Is the Future of la compagnie in French Theatre? (Cynthia G. Running-Johnson)
195 Review of Literature: Selected Books Daniel Sack, ed. Imagined Theatres: Writing for a Theoretical Stage (Ariel Watson)
209 Julie Bates. Beckett's Art of Salvage: Writing and Material Imagination, 1932-1987 (Robert Reginio)
213 Jean-Michel Rabaté. Think, Pig! Beckett at the Limit of the Human
(Doug Phillips)
217 Richard Preiss and Deanne Williams, eds. Childhood, Education and the Stage in Early Modern England (Jennifer Heller)
222 Adrienne Macki Braconi. Harlem's Theaters: A Staging Ground for Community, Class, and Contradiction, 1923-1939 (Beck Holden)
226 Penny Farfan. Performing Queer Modernism (Rachel Busse)
230 Index
235
Table of Contents Acknowledgments
vii Preface
1 A Conversation with Lisa Loomer (Amy Muse)
5 Advancing Accessibility: The "Radical Deaf Theatre" of Aaron Sawyer's The Vineyard (Mary Lutze)
19 Irreconcilable Differences: Charles I, Henrietta Maria, and Jones's and Townshend's Court Masques (Mark Scott)
40 Form and Frenzy in Caryl Churchill's and David Lan's A Mouthful of Birds (Melinda Powers)
55 Skepticism in Marlowe's Doctor Faustus: Examining Man's Inefficacy through Suspect Language (Emily L. Sharrett)
70 Reading Ahead: An Analysis of Editorial Prolegomena in Shakespeare's Complete Works
(Melinda M. Marks)
86 Jonson Is for Closers: Reflections on "Original Practice" (Joe Falocco)
95 "You Ain't Nothing but a Hoochie-Mama": Explorations of Black Female Promiscuity in Contemporary Media Productions (Devair Jeffries)
106 The Drama of the Ungifted Child or, Where's the Old Confidence, Biff? (Doug Phillips)
122 A Chameleon Anthology: Williams's Source Plays Preview Variant Baby Dolls (Jeffrey B. Loomis)
140 James and Nora Joyce's "Greatest Love Story Never Told": Jonathan Brielle's Musical Himself and Norä(William Hutchings)
153 On Bearing Witness to a Poetic Ritual: Robert Wilson's Deafman Glance as Seen by János Pilinszky (Enik
Sepsi)
167 Out of the Classroom and into the Community: A "Practical Ethnography" in Directing Foreign Language Theatre (Scott D. Taylor)
180 What Is the Future of la compagnie in French Theatre? (Cynthia G. Running-Johnson)
195 Review of Literature: Selected Books Daniel Sack, ed. Imagined Theatres: Writing for a Theoretical Stage (Ariel Watson)
209 Julie Bates. Beckett's Art of Salvage: Writing and Material Imagination, 1932-1987 (Robert Reginio)
213 Jean-Michel Rabaté. Think, Pig! Beckett at the Limit of the Human
(Doug Phillips)
217 Richard Preiss and Deanne Williams, eds. Childhood, Education and the Stage in Early Modern England (Jennifer Heller)
222 Adrienne Macki Braconi. Harlem's Theaters: A Staging Ground for Community, Class, and Contradiction, 1923-1939 (Beck Holden)
226 Penny Farfan. Performing Queer Modernism (Rachel Busse)
230 Index
235
vii Preface
1 A Conversation with Lisa Loomer (Amy Muse)
5 Advancing Accessibility: The "Radical Deaf Theatre" of Aaron Sawyer's The Vineyard (Mary Lutze)
19 Irreconcilable Differences: Charles I, Henrietta Maria, and Jones's and Townshend's Court Masques (Mark Scott)
40 Form and Frenzy in Caryl Churchill's and David Lan's A Mouthful of Birds (Melinda Powers)
55 Skepticism in Marlowe's Doctor Faustus: Examining Man's Inefficacy through Suspect Language (Emily L. Sharrett)
70 Reading Ahead: An Analysis of Editorial Prolegomena in Shakespeare's Complete Works
(Melinda M. Marks)
86 Jonson Is for Closers: Reflections on "Original Practice" (Joe Falocco)
95 "You Ain't Nothing but a Hoochie-Mama": Explorations of Black Female Promiscuity in Contemporary Media Productions (Devair Jeffries)
106 The Drama of the Ungifted Child or, Where's the Old Confidence, Biff? (Doug Phillips)
122 A Chameleon Anthology: Williams's Source Plays Preview Variant Baby Dolls (Jeffrey B. Loomis)
140 James and Nora Joyce's "Greatest Love Story Never Told": Jonathan Brielle's Musical Himself and Norä(William Hutchings)
153 On Bearing Witness to a Poetic Ritual: Robert Wilson's Deafman Glance as Seen by János Pilinszky (Enik
Sepsi)
167 Out of the Classroom and into the Community: A "Practical Ethnography" in Directing Foreign Language Theatre (Scott D. Taylor)
180 What Is the Future of la compagnie in French Theatre? (Cynthia G. Running-Johnson)
195 Review of Literature: Selected Books Daniel Sack, ed. Imagined Theatres: Writing for a Theoretical Stage (Ariel Watson)
209 Julie Bates. Beckett's Art of Salvage: Writing and Material Imagination, 1932-1987 (Robert Reginio)
213 Jean-Michel Rabaté. Think, Pig! Beckett at the Limit of the Human
(Doug Phillips)
217 Richard Preiss and Deanne Williams, eds. Childhood, Education and the Stage in Early Modern England (Jennifer Heller)
222 Adrienne Macki Braconi. Harlem's Theaters: A Staging Ground for Community, Class, and Contradiction, 1923-1939 (Beck Holden)
226 Penny Farfan. Performing Queer Modernism (Rachel Busse)
230 Index
235