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These essays cast fresh light on many aspects of contemporary music-making and music-thinking, with lighthearted debunking taking its place alongside impassioned argumentation. A wide-ranging, newly written introduction explores the relationship between issues surrounding musical performance and other areas of contemporary intellectual ferment in the humanities and the social sciences, including philosophy, law, history, and anthropology. Bringing his considerable skills as a scholar and a performer to bear on the situation, Taruskin's essays, ranging from theoretical speculation to practical criticism, cover a repertory that includes Bach, Mozart, Beethoven, and Stravinsky.
Over the last dozen years, the writings of Richard Taruskin have transformed the debate about "early music" and "authenticity". Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which are now classics in the field. Taking a wide-ranging cultural view of the early music phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable - and even authentic - than simple historical verisimilitude could ever be. These essays cast fresh light on many aspects of contemporary music-making and music-thinking, mixing lighthearted debunking with impassioned argumentation. Taruskin moves fluently from theoretical speculation to practical criticism, and covers a repertory ranging from Josquin des Prez to Stravinsky.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Over the last dozen years, the writings of Richard Taruskin have transformed the debate about "early music" and "authenticity". Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which are now classics in the field. Taking a wide-ranging cultural view of the early music phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable - and even authentic - than simple historical verisimilitude could ever be. These essays cast fresh light on many aspects of contemporary music-making and music-thinking, mixing lighthearted debunking with impassioned argumentation. Taruskin moves fluently from theoretical speculation to practical criticism, and covers a repertory ranging from Josquin des Prez to Stravinsky.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.