"A groundbreaking investigation of issues of gender, power and representation of sovereignty in French Baroque dance repertoires - in particular, court ballet - and in today's performances of them. The author uses powerful interpretive tools derived from historiography and critical theory, especially the work of German-Jewish philosopher Walter Benjamin, to offer the reader both a historical and a theoretical interpretation of this period of dance in France (c. 1600-1750), as well as its aftermath and legacy today"--
"A groundbreaking investigation of issues of gender, power and representation of sovereignty in French Baroque dance repertoires - in particular, court ballet - and in today's performances of them. The author uses powerful interpretive tools derived from historiography and critical theory, especially the work of German-Jewish philosopher Walter Benjamin, to offer the reader both a historical and a theoretical interpretation of this period of dance in France (c. 1600-1750), as well as its aftermath and legacy today"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Mark Franko is the Laura H. Carnell Professor in the Department of Dance at the Boyer School of Music and Dance, Temple University, USA. Prior to this, he was Professor of Dance and Chair of the Theater Arts Department at the University of California, Santa Cruz, USA. He is the author of Dance as Text: Ideologies of the Baroque Body (2015), The Oxford Handbook of Dance and Reenactment (2018), The Fascist Turn in the Dance of Serge Lifar: French Interwar Dance and the German Occupation (2020), among other books.
Inhaltsangabe
Introduction: The Problem of the Baroque in Trans-historical Perspective Chapter 1: The Conduct of Contemplation and the Gestural Ethics of Interpretation in Walter Benjamin's "Epistemo-Critical Prologue" Chapter 2: Between Sacrality and Perspectivalism: Theories of Spectatorship in Jose¿ Antonio Maravall and Louis Marin Chapter 3: The Problem Ballets: Theatricality and The Paradox of Sovereignty Chapter 4: The Melancholy of Figurability: Marin with Benjamin and the Allegory of Absolutism Chapter 5: "A Subtle System of Feints": Phenomenological Description and Theatricality in Foucault's "Las Meninas" Chapter 6: The Language Model in William Forsythe's Artifact Notes Bibliography: Index
Introduction: The Problem of the Baroque in Trans-historical Perspective Chapter 1: The Conduct of Contemplation and the Gestural Ethics of Interpretation in Walter Benjamin's "Epistemo-Critical Prologue" Chapter 2: Between Sacrality and Perspectivalism: Theories of Spectatorship in Jose¿ Antonio Maravall and Louis Marin Chapter 3: The Problem Ballets: Theatricality and The Paradox of Sovereignty Chapter 4: The Melancholy of Figurability: Marin with Benjamin and the Allegory of Absolutism Chapter 5: "A Subtle System of Feints": Phenomenological Description and Theatricality in Foucault's "Las Meninas" Chapter 6: The Language Model in William Forsythe's Artifact Notes Bibliography: Index
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