Brings together leading scholars to examine crucial questions regarding the theory and practice of editing Shakespeare's plays.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Lukas Erne teaches English literature at the University of Geneva, Switzerland. He is the author of Shakespeare as Literary Dramatist (Cambridge, 2003) and Beyond The Spanish Tragedy: A study of the works of Thomas Kyd (2001). Margaret Jane Kidnie is Associate Professor of English at the University of Western Ontario, Canada. She is the editor of Ben Jonson: The Devil is an Ass and Other Plays (2000), and Philip Stubbes, The Anatomie of Abuses (2002).
Inhaltsangabe
List of illustrations Preface List of contributors Introduction Lukas Erne and Margaret Jane Kidnie Part I. Establishing the Text: 1. The two texts of Othello and early modern constructions of race Leah S. Marcus 2. 'Work of permanent utility': editors and texts, authorities and originals H. R. Woudhuysen 3. Housmania: episodes in twentieth-century 'critical' editing of Shakespeare Paul Werstine 4. Addressing adaptation: Measure for Measure and Sir Thomas More John Jowett 5. The New Bibliography and its critics Ernst Honigmann 6. Scholarly editing and the shift from print to electronic cultures Sonia Massai Part II. Presenting the Play: 7. 'Your sum of parts': doubling in Hamlet Ann Thompson and Neil Taylor 8. The perception of error: the editing and the performance of the opening of Coriolanus Michael Warren 9. Modern spelling: the hard choices David Bevington 10. The staging of Shakespeare's drama in print editions Margaret Jane Kidnie 11. Open stage, open page? Editing stage directions in early dramatic texts John D. Cox 12. Two varieties of digital commentary John Lavagnino 13. New collaborations with old plays: the (textual) politics of performance commentary Barbara Hodgdon Index.
List of illustrations Preface List of contributors Introduction Lukas Erne and Margaret Jane Kidnie Part I. Establishing the Text: 1. The two texts of Othello and early modern constructions of race Leah S. Marcus 2. 'Work of permanent utility': editors and texts, authorities and originals H. R. Woudhuysen 3. Housmania: episodes in twentieth-century 'critical' editing of Shakespeare Paul Werstine 4. Addressing adaptation: Measure for Measure and Sir Thomas More John Jowett 5. The New Bibliography and its critics Ernst Honigmann 6. Scholarly editing and the shift from print to electronic cultures Sonia Massai Part II. Presenting the Play: 7. 'Your sum of parts': doubling in Hamlet Ann Thompson and Neil Taylor 8. The perception of error: the editing and the performance of the opening of Coriolanus Michael Warren 9. Modern spelling: the hard choices David Bevington 10. The staging of Shakespeare's drama in print editions Margaret Jane Kidnie 11. Open stage, open page? Editing stage directions in early dramatic texts John D. Cox 12. Two varieties of digital commentary John Lavagnino 13. New collaborations with old plays: the (textual) politics of performance commentary Barbara Hodgdon Index.
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