Frenchy Lunning is professor of liberal arts at the Minneapolis College of Art and Design.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Frenchy Lunning is professor of liberal arts at the Minneapolis College of Art and Design.
Inhaltsangabe
Contents Introduction. Manga Life: Tezuka . . .Thomas Lamarre Nonhuman Life “Becoming-Insect Woman”: Tezuka’s Feminist SpeciesMary A. KnightonDiary of an Insect Shôjo’s Vagabond LifeTezuka OsamuTranslated by Mary A. Knighton Tezuka Osamu’s Circle of Life: Vitalism, Evolution, and BuddhismG. Clinton GodartAtom Came from Bugs: The Precocious Didacticism of Tezuka Osamu’s Essays in Insect IdlenessLinda H. ChanceOn the Fabulation of a Form of Life in the Drawn Line and Systems of ThoughtVerina GfaderThe Metamorphic and Microscopic in Tezuka Osamu’s Graphic NovelsChristine L. Marran Media Life Where Is Tezuka?: A Theory of Manga ExpressionNatsume FusanosukeTranslated by Matthew YoungPhoenix 2772: A 1980 Turning Point for Tezuka and Anime Renato Rivera RuscaCopying AtomuMarc SteinbergTokiwasou StoryAkatsuka Fujio Translated by Matthew Young A Life in Manga Toward a Theory of “Artist-Manga”: Manga Self-Consciousness and the Transforming Figure of the ArtistYorimitsu HashimotoTranslated by Baryon Tensor PosadasManga Shônen: Katô Ken’ichi and the Manga BoysRyan Holmberg Implicating Readers: Tezuka’s Early Seinen MangaHideaki FujikiTezuka’s Anime Revolution in ContextJonathan ClementsDesigning a WorldFrederik L. SchodtUnicoAnno MoyokoTranslated by Matthew Young Everyday Life An Unholy Alliance of Eisenstein and Disney: The Fascist Origins of Otaku CultureÔtsuka EijiTranslated by Thomas LamarreOsamu Moet Moso: Imagining Lines of Eroticism in AkihabaraPatrick W. GalbraithTezuka, Shôjo Manga, and Hagio MotoHikari HoriOut of Death, an Atomic Consecration to Life: Astro Boy and Hiroshima’s Long ShadowAlicia GibsonWolf Head in PhoenixToshiya Ueno ContributorsCall for Papers
Contents Introduction. Manga Life: Tezuka . . .Thomas Lamarre Nonhuman Life “Becoming-Insect Woman”: Tezuka’s Feminist SpeciesMary A. KnightonDiary of an Insect Shôjo’s Vagabond LifeTezuka OsamuTranslated by Mary A. Knighton Tezuka Osamu’s Circle of Life: Vitalism, Evolution, and BuddhismG. Clinton GodartAtom Came from Bugs: The Precocious Didacticism of Tezuka Osamu’s Essays in Insect IdlenessLinda H. ChanceOn the Fabulation of a Form of Life in the Drawn Line and Systems of ThoughtVerina GfaderThe Metamorphic and Microscopic in Tezuka Osamu’s Graphic NovelsChristine L. Marran Media Life Where Is Tezuka?: A Theory of Manga ExpressionNatsume FusanosukeTranslated by Matthew YoungPhoenix 2772: A 1980 Turning Point for Tezuka and Anime Renato Rivera RuscaCopying AtomuMarc SteinbergTokiwasou StoryAkatsuka Fujio Translated by Matthew Young A Life in Manga Toward a Theory of “Artist-Manga”: Manga Self-Consciousness and the Transforming Figure of the ArtistYorimitsu HashimotoTranslated by Baryon Tensor PosadasManga Shônen: Katô Ken’ichi and the Manga BoysRyan Holmberg Implicating Readers: Tezuka’s Early Seinen MangaHideaki FujikiTezuka’s Anime Revolution in ContextJonathan ClementsDesigning a WorldFrederik L. SchodtUnicoAnno MoyokoTranslated by Matthew Young Everyday Life An Unholy Alliance of Eisenstein and Disney: The Fascist Origins of Otaku CultureÔtsuka EijiTranslated by Thomas LamarreOsamu Moet Moso: Imagining Lines of Eroticism in AkihabaraPatrick W. GalbraithTezuka, Shôjo Manga, and Hagio MotoHikari HoriOut of Death, an Atomic Consecration to Life: Astro Boy and Hiroshima’s Long ShadowAlicia GibsonWolf Head in PhoenixToshiya Ueno ContributorsCall for Papers
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