The book examines a visitor book located in a national commemoration and heritage site in Jerusalem. It brings together communicative, discursive and performative approaches to understand how visitors co-construct national identity through their public inscriptions on the surfaces the visitor book offers.
The book examines a visitor book located in a national commemoration and heritage site in Jerusalem. It brings together communicative, discursive and performative approaches to understand how visitors co-construct national identity through their public inscriptions on the surfaces the visitor book offers.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Chaim Noy is an interdisciplinary scholar focusing on qualitative and performative approaches to communication and interaction. He is Associate Professor at the University of South Florida.
Inhaltsangabe
* Prologue * Itinerary * Part 1. SIGNING IN * 1. Tourists' Traces * Performing tourism * Languaging tourism and heritage * The ethnography of texts * A medium's history * Visiting visitor books * 2. The Ammunition Hill Museum: Authenticity, Bunkers and Language Ideology * In the museum * Generals' autographs and soldiers' love letters * Postscript I * Part 2. THANK YOU FOR DYING FOR OUR COUNTRY * 3. The Ammunition Hill Visitor Book: Inside-Out and Outside-In * Commemorative affordances from within * Figures of the 2005-2006 visitor book * Commemoration community * Collective articulation * Aesthetic articulation * Material articulation * 4. "I WAS HERE!!!": Indexicality and Voice * Commemoration literacies and writing and reading rituals * Signing * A matrix of signatures * Signers' identities, signers' anonymity * Open addressivity structures * 5. Articulating Commemoration * Mediating commemoration * Contesting performances * Theological non-Zionist challenges * Hyper-Zionist ethnonational challenges * 6. "Write I was impressed and not I enjoyed": Co-Writing Commemoration * Playful utterances * Words, drawings, and visual narratives * 7. Gender and Familial Performances * "Fought like Lions": Institutional representations of men * "IDF Soldiers - I'm mad about you" * Families' commemoration performances * Contesting masculinities * Part 3. SIGNING OUT * 8. "Like a magazine loaded with bullets": The VIP Visitor Book * Managing autographs: The pragmatics of signing * Autographs' capital and the reconstitution of hegemony * "For Kacha the untiring!": Elite networking * "The Temple Mount is in Our Hands" * International VIPs: Jews, Generals and three Jordanian Officers * 9. Ethnography² * Undoing the ethnographic * Dasein or being (looked at) there * Collecting practices * The story toes tell: (Dis)embodied (re)presentation * Performance ethnography and the occurrence of the academic text * 10. Conclusions * Postscript II * Transcription conventions * References
* Prologue * Itinerary * Part 1. SIGNING IN * 1. Tourists' Traces * Performing tourism * Languaging tourism and heritage * The ethnography of texts * A medium's history * Visiting visitor books * 2. The Ammunition Hill Museum: Authenticity, Bunkers and Language Ideology * In the museum * Generals' autographs and soldiers' love letters * Postscript I * Part 2. THANK YOU FOR DYING FOR OUR COUNTRY * 3. The Ammunition Hill Visitor Book: Inside-Out and Outside-In * Commemorative affordances from within * Figures of the 2005-2006 visitor book * Commemoration community * Collective articulation * Aesthetic articulation * Material articulation * 4. "I WAS HERE!!!": Indexicality and Voice * Commemoration literacies and writing and reading rituals * Signing * A matrix of signatures * Signers' identities, signers' anonymity * Open addressivity structures * 5. Articulating Commemoration * Mediating commemoration * Contesting performances * Theological non-Zionist challenges * Hyper-Zionist ethnonational challenges * 6. "Write I was impressed and not I enjoyed": Co-Writing Commemoration * Playful utterances * Words, drawings, and visual narratives * 7. Gender and Familial Performances * "Fought like Lions": Institutional representations of men * "IDF Soldiers - I'm mad about you" * Families' commemoration performances * Contesting masculinities * Part 3. SIGNING OUT * 8. "Like a magazine loaded with bullets": The VIP Visitor Book * Managing autographs: The pragmatics of signing * Autographs' capital and the reconstitution of hegemony * "For Kacha the untiring!": Elite networking * "The Temple Mount is in Our Hands" * International VIPs: Jews, Generals and three Jordanian Officers * 9. Ethnography² * Undoing the ethnographic * Dasein or being (looked at) there * Collecting practices * The story toes tell: (Dis)embodied (re)presentation * Performance ethnography and the occurrence of the academic text * 10. Conclusions * Postscript II * Transcription conventions * References
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