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"Examines animated films in the cultural and historical context of environmental movements"--
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"Examines animated films in the cultural and historical context of environmental movements"--
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Nebraska
- Seitenzahl: 296
- Erscheinungstermin: 1. Dezember 2011
- Englisch
- Abmessung: 218mm x 145mm x 30mm
- Gewicht: 476g
- ISBN-13: 9780803235120
- ISBN-10: 0803235127
- Artikelnr.: 33621480
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Nebraska
- Seitenzahl: 296
- Erscheinungstermin: 1. Dezember 2011
- Englisch
- Abmessung: 218mm x 145mm x 30mm
- Gewicht: 476g
- ISBN-13: 9780803235120
- ISBN-10: 0803235127
- Artikelnr.: 33621480
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Robin L. Murray is a professor of English at Eastern Illinois University. Joseph K. Heumann is a professor emeritus at Eastern Illinois University. They are the coauthors of Ecology and Popular Film: Cinema on the Edge.
List of Illustrations
Acknowledgments
Introduction: A Foundation for Contemporary Enviro-toons
1. Bambi and Mr. Bug Goes to Town: Nature with or without Us
2. Animal Liberation in the 1940s and 1950s: What Disney Does for the
Animal Rights Movement
3. The and the Environment: A Modernist Look at Urban Nature
4. Animation and Live Action: A Demonstration of Interdependence?
5. Rankin/Bass Studios, Nature, and the Supernatural: Where Technology
Serves and Destroys
6. Disney in the 1960s and 1970s: Blurring Boundaries between Human and
Nonhuman Nature
7. Dinosaurs Return: Evolution Outplays Disney's Binaries
8. DreamWorks and Human and Nonhuman Ecology: Escape or Interdependence in
Over the Hedge and Bee Movie
9. Pixar and the Case of : Moving between Environmental Adaptation and
Sentimental Nostalgia
10. The Simpsons Movie, Happy Feet, and Avatar: The Continuing Influence of
Human, Organismic, Economic, and Chaotic Approaches to Ecology
Conclusion: Animation's Movement to Green?
Filmography
Works Cited
Index
Acknowledgments
Introduction: A Foundation for Contemporary Enviro-toons
1. Bambi and Mr. Bug Goes to Town: Nature with or without Us
2. Animal Liberation in the 1940s and 1950s: What Disney Does for the
Animal Rights Movement
3. The and the Environment: A Modernist Look at Urban Nature
4. Animation and Live Action: A Demonstration of Interdependence?
5. Rankin/Bass Studios, Nature, and the Supernatural: Where Technology
Serves and Destroys
6. Disney in the 1960s and 1970s: Blurring Boundaries between Human and
Nonhuman Nature
7. Dinosaurs Return: Evolution Outplays Disney's Binaries
8. DreamWorks and Human and Nonhuman Ecology: Escape or Interdependence in
Over the Hedge and Bee Movie
9. Pixar and the Case of : Moving between Environmental Adaptation and
Sentimental Nostalgia
10. The Simpsons Movie, Happy Feet, and Avatar: The Continuing Influence of
Human, Organismic, Economic, and Chaotic Approaches to Ecology
Conclusion: Animation's Movement to Green?
Filmography
Works Cited
Index
List of Illustrations
Acknowledgments
Introduction: A Foundation for Contemporary Enviro-toons
1. Bambi and Mr. Bug Goes to Town: Nature with or without Us
2. Animal Liberation in the 1940s and 1950s: What Disney Does for the
Animal Rights Movement
3. The and the Environment: A Modernist Look at Urban Nature
4. Animation and Live Action: A Demonstration of Interdependence?
5. Rankin/Bass Studios, Nature, and the Supernatural: Where Technology
Serves and Destroys
6. Disney in the 1960s and 1970s: Blurring Boundaries between Human and
Nonhuman Nature
7. Dinosaurs Return: Evolution Outplays Disney's Binaries
8. DreamWorks and Human and Nonhuman Ecology: Escape or Interdependence in
Over the Hedge and Bee Movie
9. Pixar and the Case of : Moving between Environmental Adaptation and
Sentimental Nostalgia
10. The Simpsons Movie, Happy Feet, and Avatar: The Continuing Influence of
Human, Organismic, Economic, and Chaotic Approaches to Ecology
Conclusion: Animation's Movement to Green?
Filmography
Works Cited
Index
Acknowledgments
Introduction: A Foundation for Contemporary Enviro-toons
1. Bambi and Mr. Bug Goes to Town: Nature with or without Us
2. Animal Liberation in the 1940s and 1950s: What Disney Does for the
Animal Rights Movement
3. The and the Environment: A Modernist Look at Urban Nature
4. Animation and Live Action: A Demonstration of Interdependence?
5. Rankin/Bass Studios, Nature, and the Supernatural: Where Technology
Serves and Destroys
6. Disney in the 1960s and 1970s: Blurring Boundaries between Human and
Nonhuman Nature
7. Dinosaurs Return: Evolution Outplays Disney's Binaries
8. DreamWorks and Human and Nonhuman Ecology: Escape or Interdependence in
Over the Hedge and Bee Movie
9. Pixar and the Case of : Moving between Environmental Adaptation and
Sentimental Nostalgia
10. The Simpsons Movie, Happy Feet, and Avatar: The Continuing Influence of
Human, Organismic, Economic, and Chaotic Approaches to Ecology
Conclusion: Animation's Movement to Green?
Filmography
Works Cited
Index